
Natalie Whalen, Film Editor
All content by Natalie Whalen

Tribeca 2018: Comedy and Trauma and ‘All About Nina’
Natalie Whalen, Film Editor
• Apr 30, 2018

A Renaissance in Independent Filmmaking
Natalie Whalen, Film Editor
• Apr 5, 2018

‘Blaze’ and the Unsung Country Legend
Natalie Whalen, Film Editor
• Mar 23, 2018

‘Hereditary’ Scares On Two Levels at SXSW
Natalie Whalen, Film Editor
• Mar 21, 2018

SXSW 2018: (Some Of) The Best Artists You Missed
Natalie Whalen, Film Editor
• Mar 20, 2018

‘Boundaries’ Director Crosses Personal Thresholds
Natalie Whalen, Film Editor
• Mar 19, 2018

Dee Rees: “Mudbound”
Natalie Whalen, Film Editor
• Mar 5, 2018

‘The Boy Downstairs’ Is More Rom Than Com
Natalie Whalen, Film Editor
• Feb 23, 2018

Lafayette Hall
Natalie Whalen, Film Editor
• Feb 22, 2018

Avett Brothers Documentary Captures the Enigma
Natalie Whalen, Film Editor
• Jan 31, 2018

Globes’ Misguided Genre Bending
Natalie Whalen, Film Editor
• Jan 22, 2018

The Return to ‘Fargo’
Natalie Whalen, Entertainment Editor
• Apr 25, 2017

Photography Challenged in Tisch Senior Thesis Show
Natalie Whalen, Entertainment Editor
• Mar 27, 2017

NYU Alumni Mock Entertainment Industry in “555”
Natalie Whalen, Entertainment Editor
• Jan 30, 2017

View Now: Art Around Campus
Natalie Whalen, Entertainment Editor
• Jan 23, 2017

NYU Dancer Tests Her Limits
Natalie Whalen, Staff Writer
• Dec 5, 2016

‘Edge of Seventeen’ Models Teen Angst in Digital Age
Natalie Whalen, Staff Writer
• Nov 18, 2016

‘Lemonade’-Inspiring ‘Daughters of the Dust’ To Be Re-Released
Natalie Whalen, Staff Writer
• Nov 17, 2016

DiCaprio’s Doc is Pretentious — In a Good Way
Natalie Whalen, Staff Writer
• Oct 21, 2016

‘100 Years’ Still Not Long Enough
Natalie Whalen, Staff Writer
• Oct 11, 2016

PBS Documentary “All the Difference” Highlights Urban Education
Natalie Whalen, Contributing Writer
• Sep 12, 2016

D.R.A.M. Stuns at Mystery Concert
Natalie Whalen, Contributing Writer
• Sep 12, 2016
Netflix Conquers the Film Industry
Natalie Whalen, Staff Writer
• Apr 7, 2016

Alum Creates Complex Hulu Show
Natalie Whalen, Staff Writer
• Apr 4, 2016

Nothing is fine in ‘Every Thing Will Be Fine’
Natalie Whalen, Staff Writer
• Dec 2, 2015

‘Dazeworld’ comes to the Museum of the City of New York
Natalie Whalen, Staff Writer
• Dec 2, 2015

Film looks at transgender women in 1920s Denmark
Natalie Whalen, Staff Writer
• Nov 23, 2015

Alumna wins best documentary at Tribeca with ‘Democrats’
Natalie Whalen, Staff Writer
• Nov 17, 2015

The birds and the beekeepers star in Italian coming of age film
Natalie Whalen, Staff Writer
• Oct 29, 2015

Lebanese politics on display at MoMA
Natalie Whalen, Staff Writer
• Oct 18, 2015

Whitney opens main collection after move
Natalie Whalen, Contributing Writer
• Oct 5, 2015

Morality is at question in Russian film ‘The Fool’
Natalie Whalen, Contributing writer
• Sep 16, 2015

Maisie Zipfel, Deputy News Editor • Sep 24, 2023

Ania Keenan, Features Editor • Sep 22, 2023

Krish Dev, Deputy News Editor • Sep 22, 2023

Sneha Tripathy, Contributing Writer • Sep 22, 2023

Amalia Rizos, Contributing Writer • Sep 22, 2023

Ania Keenan, Features Editor • Sep 22, 2023

Ania Keenan, Features Editor • Sep 19, 2023