

Natalie Whalen, Film Editor
All content by Natalie Whalen


Tribeca 2018: Comedy and Trauma and ‘All About Nina’
Natalie Whalen, Film Editor
• Apr 30, 2018


A Renaissance in Independent Filmmaking
Natalie Whalen, Film Editor
• Apr 5, 2018


‘Blaze’ and the Unsung Country Legend
Natalie Whalen, Film Editor
• Mar 23, 2018


‘Hereditary’ Scares On Two Levels at SXSW
Natalie Whalen, Film Editor
• Mar 21, 2018


SXSW 2018: (Some Of) The Best Artists You Missed
Natalie Whalen, Film Editor
• Mar 20, 2018


‘Boundaries’ Director Crosses Personal Thresholds
Natalie Whalen, Film Editor
• Mar 19, 2018


Dee Rees: “Mudbound”
Natalie Whalen, Film Editor
• Mar 5, 2018


‘The Boy Downstairs’ Is More Rom Than Com
Natalie Whalen, Film Editor
• Feb 23, 2018


Lafayette Hall
Natalie Whalen, Film Editor
• Feb 22, 2018


Avett Brothers Documentary Captures the Enigma
Natalie Whalen, Film Editor
• Jan 31, 2018


Globes’ Misguided Genre Bending
Natalie Whalen, Film Editor
• Jan 22, 2018


The Return to ‘Fargo’
Natalie Whalen, Entertainment Editor
• Apr 25, 2017


Photography Challenged in Tisch Senior Thesis Show
Natalie Whalen, Entertainment Editor
• Mar 27, 2017


NYU Alumni Mock Entertainment Industry in “555”
Natalie Whalen, Entertainment Editor
• Jan 30, 2017


View Now: Art Around Campus
Natalie Whalen, Entertainment Editor
• Jan 23, 2017


NYU Dancer Tests Her Limits
Natalie Whalen, Staff Writer
• Dec 5, 2016


‘Edge of Seventeen’ Models Teen Angst in Digital Age
Natalie Whalen, Staff Writer
• Nov 18, 2016


‘Lemonade’-Inspiring ‘Daughters of the Dust’ To Be Re-Released
Natalie Whalen, Staff Writer
• Nov 17, 2016


DiCaprio’s Doc is Pretentious — In a Good Way
Natalie Whalen, Staff Writer
• Oct 21, 2016


‘100 Years’ Still Not Long Enough
Natalie Whalen, Staff Writer
• Oct 11, 2016


PBS Documentary “All the Difference” Highlights Urban Education
Natalie Whalen, Contributing Writer
• Sep 12, 2016


D.R.A.M. Stuns at Mystery Concert
Natalie Whalen, Contributing Writer
• Sep 12, 2016
Netflix Conquers the Film Industry
Natalie Whalen, Staff Writer
• Apr 7, 2016


Alum Creates Complex Hulu Show
Natalie Whalen, Staff Writer
• Apr 4, 2016


Nothing is fine in ‘Every Thing Will Be Fine’
Natalie Whalen, Staff Writer
• Dec 2, 2015


‘Dazeworld’ comes to the Museum of the City of New York
Natalie Whalen, Staff Writer
• Dec 2, 2015


Film looks at transgender women in 1920s Denmark
Natalie Whalen, Staff Writer
• Nov 23, 2015


Alumna wins best documentary at Tribeca with ‘Democrats’
Natalie Whalen, Staff Writer
• Nov 17, 2015


The birds and the beekeepers star in Italian coming of age film
Natalie Whalen, Staff Writer
• Oct 29, 2015


Lebanese politics on display at MoMA
Natalie Whalen, Staff Writer
• Oct 18, 2015


Whitney opens main collection after move
Natalie Whalen, Contributing Writer
• Oct 5, 2015


Morality is at question in Russian film ‘The Fool’
Natalie Whalen, Contributing writer
• Sep 16, 2015




Lea Filidore, Staff Writer • May 25, 2023


Carmo Moniz, Managing Editor • May 24, 2023


Yezen Saadah, News Editor • May 19, 2023


Sheridan Smith, Staff Photographer • Apr 9, 2023


Ania Keenan, Features Editor • Feb 6, 2023