Film
Review: ‘Opus’ is a great watch — and nothing more than that
The newest eat-the-rich cult-horror movie has too much “cult” and not enough “eating the rich.”
Review: ‘Black Bag’ turns the audience into the ultimate voyeur
In Steven Soderbergh’s gripping spy thriller, it’s not just about the espionage — it’s watching, being watched and questioning everything in between.
Off the Radar: ‘Take Out’ is Sean Baker at his most New York indie
Off the Radar is a column surveying overlooked films available to students for free via NYU’s streaming partnerships. “Take Out” is available to stream on Kanopy.
Review: ‘Novocaine’ subverts action movie archetypes
Filled with critiques of conservatism and masculinity, “Novocaine” redefines heroism.
Review: ‘Plankton: The Movie’ is everything wrong with modern SpongeBob
This poor sponge hasn’t had a “Sweet Victory” for longer than some of us have been alive.
Filmmaker Mona Benyamin’s dark humor expertly analyzes Palestinian suffering
A series of three short films will screen at Metrograph on Sunday as part of the “Screen Memories” exhibition co-presented by Abrons Arts Center and Artists Alliance Inc.
‘Mickey 17’ is a frenetic, uproarious hit
Bong Joon Ho’s darkly comedic sci-fi entry deftly guides its erratic tone.
Review: ‘Devil in the Family’ exposes Ruby Franke — but lets her husband off the hook
The brief Hulu docuseries reveals the dangers of family vlogging and its lasting harm on the kids in front of the camera.
Q&A: Costume designer of ‘The Monkey’ discusses fashioning horror
Mica Kayde, costume designer of Osgood Perkins’ latest films “The Monkey” and “Longlegs” spoke to WSN about her career.
Review: ‘Zero Day’ should be impeached
Netflix’s new star-studded limited series is poorly made and afraid to meaningfully comment on our current political landscape.
It’s LGBTQ+ — but without the coming out story
The best LGBTQ+ media that doesn’t fall into the classic stuck-in-the-closet trope.
8 of our favorite film scores
Because music is as good a narrative device as any.
