Thirty years after “Farewell My Concubine’s” triumphant showing at the Cannes Film Festival — where it took home the coveted Palme d’Or prize — a new, uncut 4K restoration...

Earlier this month, in the lobby of the Paulson Center, NYU faculty and local pianists collaborated to perform French composer Erik Satie’s famed “Vexations” — and they...

A shadowy figure emerges from the screen, leaping across the cloudy skies. His silhouette, styled with a gothic cape and oversized collars, closely resembles that of the infamous...

Students taking the Nashville: Production and A&R in the Music Industry course in the music business program at NYU’s Steinhardt School of Culture, Education, and Human Development...

Gerald Pryor’s work in the The Commons and Rosenberg Galleries on the first floor of the Barney Building guides visitors through the life of the late artist and Steinhardt professor....

On the morning of his exhibition opening, artist Joe Fig told me that “Seeing is like a superpower.” Fig and I sat in the middle of the light and airy main gallery space and...

The high school-teen-sex-comedy is a universally adored subgenre. Our infatuation with the caricatures and inflated archetypes that live within the genre allow us to see ourselves...

Italian filmmaker Vittorio De Sica was one of the pioneers of neorealism — a style of cinema defined by on-location shooting, non-professional actors and unpolished cinematography,...

Olivia Rodrigo is back and more confident than ever on her second album “GUTS.” A little over two years after the release of her critically acclaimed debut album “SOUR”...

The Paris Theater showcased Stanley Kubrick's “2001: A Space Odyssey” this past Sunday, along with many other contemporary and classic films screened in immersive formats....