Arts

Reflecting on the avant-garde jazz legacy of Pharoah Sanders
The saxophonist and composer shattered conventions on an over 60-year hot streak.
Holden Lay, Staff Writer
• October 3, 2022

Off the Radar: ‘The Kid With a Bike’ tackles the violent consequences of abandonment
Off the Radar is a weekly column surveying overlooked films available to students for free via NYU’s streaming partnerships. “The Kid With a Bike” is available to stream on Kanopy.
Mick Gaw, Staff Writer
• September 30, 2022

Review: The deafening silence of ‘The Silent Twins’
Agnieszka Smoczynska’s third feature film uniquely tells a new story of famous twins Jennifer and June Gibbons. “The Silent Twins” is currently playing in many theaters across New York City.
Saige Gipson, Staff Writer
• September 30, 2022

Q&A: Colum McCann says ‘storytelling is the most democratic thing that we have’
In his novel “Apeirogon,” National Book Award winner Colum McCann writes about Palestine, and Irish literature beyond Ireland.
Natasha R. Roy, Contributing Writer
• September 29, 2022

Listen To This: Diane Keaton joins pop star Ashe in ‘Love Is Letting Go’
Read about this week’s most notable singles by Devin Townsend, Alvvays and more.
Holden Lay, Candace Patrick and Jack Solomon
• September 29, 2022

Little Amal captures the heart of NYC during first US visit
After traveling 6,000 miles across 12 countries, puppet Little Amal — an international symbol for human rights — will visit Washington Square Park on Wednesday, Sept. 28.
Yezen Saadah, Staff Writer
• September 28, 2022

Review: ‘Infernal Affairs’ trilogy restoration reinvigorates a Hong Kong classic
Even two decades later, Janus Films’ restoration of the iconic “Infernal Affairs” trilogy reminds audiences that its messages are pertinent more than ever.
Mick Gaw, Staff Writer
• September 28, 2022

To critics of ‘Bodies Bodies Bodies’: Let movies be stupid again, please
Described as “Euphoria With Knives” by New York Times critic Lena Wilson, Halina Reijn’s spirited Gen Z slasher “Bodies Bodies Bodies” garnered some negative first impressions from viewers who either didn’t realize it was satire or hate fun.
Lorena Campes, Deputy Under The Arch Editor
• September 27, 2022

Review: ‘Hold The Girl’ conveys vulnerability through an exhilarating electropop soundscape
Singer-songwriter Rina Sawayama’s sophomore studio album explores new emotional territory through upbeat dance tracks and compelling power ballads.
Candace Patrick, Staff Writer
• September 26, 2022

Wolfgang Tillmans shares his fearless perspective of the world in new MoMA installation
Wolfgang Tillmans’ ‘To look without fear’ blurs the line between aesthetics and politics.
Julia Diorio, Contributing Writer
• September 26, 2022

Performance art in New York waters raises awareness about rising sea levels
Sarah Cameron Sunde’s “36.5 / A Durational Performance with the Sea” is a contemplative observation of climate change.
Polina Belova, Contributing Writer
• September 26, 2022

‘Better Call Saul’ is one of the greatest television series of the last decade
Despite being pit against the sky-high expectations following ‘Breaking Bad’, its prequel, ‘Better Call Saul’, has undoubtedly made its mark as one of the best TV series of the 2010s.
Yezen Saadah, Staff Writer
• September 26, 2022

Lauren Ng, Managing Editor • August 11, 2025

Dharma Niles, Editor-in-Chief • August 11, 2025

August 11, 2025

Krish Dev, Digital Director • August 11, 2025

Annie Emans, Staff Writer • August 11, 2025