Review: ‘My Old Ass’ is a fresh twist on the coming-of-age dramedy
Megan Park crafts a hilariously philosophical tale through smart dialogue, a magnetic cast and a refreshing premise.
Lulu Chatterjee, Staff Writer
• September 12, 2024
WSN’s guide to the 62nd New York Film Festival
In anticipation of this year’s New York Film Festival, WSN has put together a list of must-see movie premieres that you will want to secure tickets for before they sell out.
Dani Biondi, Film & TV Editor
• September 9, 2024
Review: The only thing to fear in ‘AfrAId’ is the next generation of iPad kids
No amount of jumpscares could save the mediocrity of Blumhouse’s newest release.
Karina Rower, Under The Arch Editor
• September 6, 2024
Review: The sunny ‘La chimera’ finds tenderness in graverobbing
In this tale of stolen artifacts and found families, a long-lost love shines through.
Ethan Beck, Staff Writer
• April 29, 2024
Review: In ‘Godzilla x Kong: The New Empire,’ Godzilla is nowhere to be found
The newest installment of the MonsterVerse franchise is a try-hard successor of “Godzilla vs. Kong.”
Kaitlyn Sze Tu, Contributing Writer
• April 16, 2024
Off the Radar: ‘Attenberg’ is a transformative repose
Off the Radar is a weekly column surveying overlooked films available to students for free via NYU’s streaming partnerships. “Attenberg” is available to stream on Kanopy.
Amalia Rizos, Contributing Writer
• April 12, 2024
Q&A: South Korean filmmaker Lee Chang-dong on realism in cinema
With Lee Chang-dong’s upcoming retrospective at the Metrograph, WSN spoke with the legendary South Korean filmmaker about the significance of realism in his films.
Tony Jaeyeong Jeong, Staff Writer
• April 8, 2024
‘Free Time’ subverts any semblance of competent adulthood
I would call “Free Time” incompetence porn, but it’s not.
Liv Steinhardt, Contributing Writer
• April 5, 2024
Review: ‘High & Low: John Galliano’ captures a fashion icon falling apart at the seams
The documentary chronicles fashion designer John Galliano’s career in full, but falters in redeeming his character following incidents of antisemitism.
Karina Rower, Deputy Copy Chief
• April 2, 2024
Review: ‘Kung Fu Panda 4’ lacks what made its predecessors so charming
DreamWorks Animation’s latest addition to the decade-long series lacks the ingenuity and emotional core of its predecessors.
Tony Jaeyeong Jeong, Staff Writer
• March 26, 2024
Q&A: Filmmaker Neo Sora on capturing Ryuichi Sakamoto’s final performance
WSN spoke with director Neo Sora about his latest film “Ryuichi Sakamoto | Opus,” the late musical icon’s last recorded concert.
Mick Gaw, Film & TV Editor
• March 15, 2024
Review: Netflix’s ‘Avatar: The Last Airbender’ is rough, buddy
The live-action adaptation of “Avatar: The Last Airbender” rarely ever excels as a shot-for-shot remake of the popular cartoon, ultimately frustrating longtime fans of the original.
Carmo Moniz and Yezen Saadah
• March 15, 2024
Dharma Niles, News Editor • October 4, 2024
Yezen Saadah, Editor-in-Chief • October 4, 2024
Julia Diorio, Arts Editor • October 4, 2024
Ellie DaSilva, Contributing Writer • October 4, 2024