Film

Film Forum Revives ‘Night of the Living Dead’ in 4K
Tristen Calderon, Staff Writer
• October 13, 2017

‘Human Flow’ is Heartbreaking and Mesmerizing
Sophie Bennett, Staff Writer
• October 11, 2017

The Origin Wonder Woman Deserves
Carter Glace, Staff Writer
• October 10, 2017

The Beautiful Tragedy of ‘Call Me By Your Name’
Daniella Nichinson, Film Editor
• October 10, 2017

The Enduring Politics of Warren Beatty
Daniella Nichinson, Film Editor
• October 5, 2017
The Rise of LGBTQ Cinema
Matthew Holman, Staff Writer
• October 5, 2017

Evolving Perspective of War Films
Jessica Xing, Contributing Writer
• October 5, 2017

A Lazy Solution to Inequality in Hollywood
Jordan Reynolds, Arts Editor
• October 5, 2017

NYFF 2017: ‘Last Flag Flying’ Presents a Lifetime of War
Daniella Nichinson, Film Editor
• October 3, 2017

NYFF 2017: ‘The Square’ is Magnificently Enigmatic
Daniella Nichinson, Film Editor
• October 2, 2017

NYFF 2017: Family, Frustrations and Fine Art in ‘The Meyerowitz Stories’
Daniella Nichinson, Film Editor
• September 29, 2017

These Are ‘Dark Times’ Indeed
Amelia Reardon, Contributing Writer
• September 27, 2017

Amanda Chen, Deputy News Editor • May 16, 2025

Yezen Saadah, Editor-at-Large • May 15, 2025

Dharma Niles, Editor-in-Chief • May 15, 2025


Aashna Miharia, News Editor • May 14, 2025