Review: ‘The Land Is Inhospitable and So Are We’ is Mitski’s steady, Americana experiment
With lush, earthy instrumentation and engaging lyrical quandaries, the indie-rock artist takes a new direction in her newest album.
Ethan Beck, Staff Writer
• September 25, 2023
Review: ‘Beau Is Afraid’ is only occasionally frightening
Ari Aster’s new film is a big departure from his previous horror films, as he ventures into a long odyssey of surrealist comedy.
Justin Martinez, Contributing Writer
• April 25, 2023
Recap: ‘Succession’ S4E5: Viking country
Waystar Royco goes to Norway for a deal, with middling results.
Colleen Secaur, Contributing Writer
• April 25, 2023
Review: ‘Carmen’ modernizes the iconic opera
In his directorial debut, renowned choreographer Benjamin Millepied created a dreamlike yet unsteady presentation of song, dance and word.
Madeline Kane, Contributing Writer
• April 24, 2023
Recap: ‘Succession’ S4E4: Underlined or crossed out?
Logan Roy may be dead, but he casts a long shadow over the future of his company — and the psyches of his children.
Colleen Secaur, Contributing Writer
• April 18, 2023
Recap: ‘Succession’ S4E3: Ding dong, the witch is dead
The rug is pulled out from under us in a shocking, yet inevitable episode.
Colleen Secaur, Contributing Writer
• April 11, 2023
Off the Radar: Lessons on how to film ‘The Act of Killing’
Off the Radar is a weekly column surveying overlooked films available to students for free via NYU’s streaming partnerships. “The Act of Killing” is available to stream on Kanopy and NYU Stream.
Mick Gaw, Staff Writer
• March 10, 2023
Review: ‘Cocaine Bear’ is at its best when it’s just about a bear on cocaine
Colleen Secaur, Contributing Writer
• March 7, 2023
Review: ‘Dancing the Twist in Bamako’ is a tale of star-crossed lovers in a postcolonial world
Set in a nation freshly liberated from French colonial rule, director Robert Guédiguian tells the story of two lovers fighting to be together against all odds. The film opened on Feb. 24 at the Film Forum.
Sanam Estakhrian, Contributing Writer
• March 6, 2023
To critics of ‘Bodies Bodies Bodies’: Let movies be stupid again, please
Described as “Euphoria With Knives” by New York Times critic Lena Wilson, Halina Reijn’s spirited Gen Z slasher “Bodies Bodies Bodies” garnered some negative first impressions from viewers who either didn’t realize it was satire or hate fun.
Lorena Campes, Deputy Under The Arch Editor
• September 27, 2022
Yezen Saadah, Editor-in-Chief • December 19, 2024
Hope Pisoni, Staff Writer • December 14, 2024
Dharma Niles, News Editor • December 13, 2024
Ivanka Sun, Contributing Writer • December 13, 2024