With a painstaking eye for simplicity and detail, Hirokazu Kore-eda's film "After the Storm" breaks down the life of an unexceptionally complex family into something striking and beautiful.
Opening soon at the Film Society at Lincoln Center, "I Called Him Morgan" gives proper credit to one of the most tragically underrated jazz trumpeters, Morgan Lee, whose life was cut short at age 33 when his wife shot him during a show in the East Village.
"The Other Half" is a memorable feature film debut for director Joey Klein — especially considering he tackled the complex and all-too-human story of a couple struggling to deal with trauma.
Ry Russo-Young's film interpretation of the young adult hit "Before I Fall" isn't worth seeing just because it's well-done — it's worth it because it's one of the most well-done teen flicks made to date.
James Franco and Pamela Romanowsky’s latest directing venture "The Institute" is less of a thriller than the same-old psych ward mystery flick, though its twist ending keeps it from being a copycat work.
As one of Fusion Film Fest's guests of honor, HBO's Head of Talent Development Kelly Edwards discussed overcoming shyness and her love for Black Ops 3 over brunch.
At a masterclass hosted as a part of the annual NYU Fusion Film Festival, director and NYU alum Melina Matsoukas discussed directing and social justice.
New documentary "Betting On Zero" vividly brings stock investor Bill Ackman's battle against Herbalife to life, allowing the people on the inside of the historic struggle to speak their truths.
Finally, a movie about cannibalism and freshmen hazing that is about neither of those things — "Raw" brings female desire to the forefront of the conversation in the most exaggerated way possible, so even the most reticent will catch the hints.
For once, the catfight isn't about the women fighting — and putting each other in comas — it's about something much bigger. If three trees named Bernie, Donald and Hillary don't tip you off as to what, maybe you shouldn't watch "Catfight."
NYU senior Alexander Lu's thesis film "Paper Daughters" creates a personal interpretation of what was once American history during the Chinese Exclusion Act of 1882 — and what, with threats of increased immigration regulation, may come to be again.
The re-release of Kenji Mizuguchi’s 1953 film "Ugetsu" should be eagerly anticipated — the work is both one of the few ghost movies with neither over-the-top ghouls and one of the few war films that doesn't simply lapse into gore.
