The sheer impressiveness of the physicality in Shakespeare in the Square's adaptation of the classic "Coriolanus" makes it more than just good theater — it makes it an aching vindication of the feelings too often trapped inside ourselves.
Why wait to graduate? NYU Tisch junior Emanuel Lopez has already been cast in the Broadway musical "On Your Feet," and spoke with WSN about the whirlwind he rode to get there.
The Texas-based chain of dine-in movie theaters Alamo Drafthouse has officially opened its doors to the new downtown Brooklyn location, and it's the best thing for movies since hot popcorn.
Shara Ashley Zeiger's new play "Roughly Speaking" should have been a powerful and much-needed piece of theater giving a voice to New York's homeless, but the work fell short of magnificent after less-than-convincing acting and dialogue that lacked much intrigue.
In its world premiere, Ross Howard's new play "Two of Us" takes what could have been a redundant, sentimental story and makes it into a curiously thoughtful tale.
With just the right amount of Halloween gore and vulgarity, "The Pumpkin Pie Show: Stump Speeches" perfectly parodies the 2016 presidential election, throwing shade (or rather, guts) at both sides of the partisan debate.
In the latest installation of its monthly "Live in the Village" series, comedians Under St. Marks put on a commendable performance, even despite its less-than-full crowd.
Dandy Darkly's new solo show "Myth Mouth" creates a wildly entertaining performance from his quirky, unexpected monologues: be prepared for sloth meat, dogs in space and ostentatious costumes.
Amanda Quinn, Contributing Writer
• October 18, 2016
In what could have been a performance fraught with discomfort and scenes of trauma, the New York Shakespeare Exchange's portayal of Shakespeare's "The Rape of Lucrece" is amazingly nuanced.
In a delightfully intricate and curiosity-provoking new exhibit at the Japan Society, Simon Starling's "At Twilight" blends Japanese Noh theater with a variety of other cultural phenomena.
