In the years since his breakout “Happy Hour” (2015) and Academy Award-winning “Drive My Car” (2021), the world seems to have almost conformed to the central concerns of...

In the periphery of “Godland,” director Hlynur Pálmason’s visually breathtaking third feature film, a six-foot wooden cross struggles to maintain its place among cargo that...

On Sunday, 15.4 million viewers tuned in for one of the wildest nights in Oscars history. The night marked a historic rebound for the Academy, with the show drawing in a 30% bump...

In his 2006 debut feature “Reprise,” Norwegian filmmaker Joachim Trier began the Oslo trilogy with melancholy. He followed it up in 2011 with “Oslo, August 31st,” a quiet...

“The Living End” directed by Gregg Araki Nicolas Pedrero-Setzer, Arts Editor Nothing says Saint Valentine’s Day like sex, death and hedonism. Gregg Araki’s New Queer...

In an attempt to celebrate 2021’s lethargic return to theatrical moviegoing, Oscar voters chose to recognize streaming services’ growing command of the film industry. Together,...

As the COVID-19 pandemic forced independent art galleries to consider closing their businesses, curator and ceramicist Sophia Somin Yoo saw an opportunity to begin something new. “It...

If you were on Twitter in 2015, before it was ruled by toxic sanctimony and political scorn, you might remember it as a sort of Wild West — uncharted territory with outlaws,...

My life changed the day I, a scrawny, Asian-American 11-year-old, watched Korean American actor Steven Yeun fall in love with Lauren Cohan, a white woman, on AMC’s “The Walking...

This is what we’re thinking: we’ll make a big monkey fight a big lizard. We’ll cast that girl from “Stranger Things” as a woke, rebellious teenager. The FBI agent in...