Thursday, Aug 21, 2014 12:21 am est

Fallon takes torch from Leno on ‘Tonight’

Posted on February 18, 2014 | by Sean Hickey

Courtesy of Universal Television

Late night television changed for the better when Jimmy Fallon — comedian, “Saturday Night Live” alumnus and former host of “Late Night” — became the sixth host of the institution known as “The Tonight Show” on Feb. 17.

But before that could happen, Fallon, The Roots and the writers and crew had to put on test shows. These performances look and sound just like the real show, but are only watched by the studio audience and are used to smooth out any wrinkles. This week, WSN was granted a look at the whole new studio, theme song and next generation of “The Tonight Show.”

Studio 6B, the home of most of Fallon’s “Late Night” and, more notably, the home of “The Tonight Show Starring Johnny Carson” before Carson’s move to California, has traded in its rough, urban atmosphere for a smoother, more immaculate ambience.

The refurbished walls are made of light, naturally golden wood that also lines the new bandstand for The Roots and matches Fallon’s desk. The new two-toned blue curtain drapes from the ceiling down to the shiny dark floor, contrasting nicely with the wood and the bronze shamrock where Fallon stands for his monologue.

Even the personnel got a minor makeover: The Roots have added a horn section, including trumpeter David Guy of Sharon Jones and the Dap Kings. As Steve Higgins introduced the show, the band played the new theme song, a bit slower and more playful than the tune featured on Fallon’s “Late Night.” This intro is a good match for the new opening sequence directed by Spike Lee that depicts Fallon walking through New York.

Fallon ran through his monologue and Thank You Notes as if for a real show, though perhaps taking more time to riff with Higgins, much to the audience’s delight. Next, Fallon introduced his guest John Oliver, who discussed his new HBO show “Last Week Tonight.”

For a few moments in the test show, Fallon showed characteristics similar to Carson’s. All that was missing was booze, a few cigarettes and Frank Sinatra. It all made sense right then and there — Fallon and this new studio have created the purest “Tonight Show” since Carson’s.

Fallon has brought the show back to New York in more ways than one. Using Spike Lee, having wooden skyscrapers and operating from Studio 6B in 30 Rockefeller Center brings a whole classic New York attitude that radiated from Carson and that has been lost since. Fallon has big shoes to fill, but his team, headed by SNL producer Lorne Michaels, could not be more ready.

For those who have their doubts regarding Fallon’s readiness, once they see him beaming in that studio with the wider camera angles, crisper lighting and bigger audience, those doubts will dissipate.

Behind all of the shine and prestige, Fallon’s friendly persona has not changed. He still ended the show by running through the audience, giving high fives and hugs. After a final wave goodbye, he went to his dressing room to keep working on Monday’s episode, the first of many for “The Tonight Show Starring Jimmy Fallon.”

A version of this article appeared in the Tuesday, Feb 18 print edition. Sean Hickey is a contributing writer. Email him at


  • John Francis Fox

    I enjoyed Sean Hickey’s article on Jimmy Fallon taking over “The Tonight Show,” but I wish he had mentioned that Steve Allen and Jack Paar had hosted the show before Johnny Carson. Steve Allen had Elvis Presley on “The Tonight Show” before Ed Sullivan and Jack Paar did a show on Fidel Castro before he became the dictator of Cuba. But the late night entetainment world actually began four years before “The Tonight Show” with an NBC show called “Broadway Open House,” which was hosted by Buddy Lester and Dagmar. They all paved the way for Carson, Leno, and Fallon.

  • Sean Hickey

    Thanks for the comment John! I actually really like Allen and Parr from the few videos I can find of them online and if I had more space to write, I would have definitely included them. In fact, to a former professor’s chagrin, I’ve written upwards of 20 pages on the “Tonight Show” legacy as it fascinates me and, gladly, people like yourself. I also just wanted to focus more on the new show, which, when I wrote this, almost no one had seen yet. I plan on heading to the Paley Center soon to watch some episodes of Parr and Allen and maybe I’ll check out “Broadway Open House” too. Thanks again.

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Multimedia Editor | Felipe De La Hoz is a Colombian national studying journalism at the College of Arts and Sciences. Having been born in Colombia and raised in the United States, Mexico and Brazil, Felipe is a trilingual travel aficionado and enjoys working in varied and difficult environments. Apart from his photography, Felipe enjoys investigative reporting and interviews, interviewing the likes of Colombian ex-M-19 guerrilla fighters and controversial politician Jimmy McMillan. He has covered everything from governmental conferences to full-blown riots, as well as portraiture shoots and dining photography. Having worked under Brazilian photojournalists for Reuters and AFP, Felipe hopes to one day work on demanding journalistic projects and contribute to the global news cycle.

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