‘Marry Me’ is a Where’s Waldo of soulless product placement
If you’re reading this, chances are you’re not Jennifer Lopez. Neither am I. We are safe from her here.
Elizabeth Crawford, Contributing Writer
• February 28, 2022
Review: ‘The French Dispatch’ and the tyrannical tenderness of Wes Anderson
Wes Anderson’s 10th feature film, “The French Dispatch,” presents itself as an apogee of aesthetic redundancy.
Nicolas Pedrero-Setzer, Arts Abroad Editor
• November 2, 2021
This Weekend: Oct. 3 to 5
Hannah Treasure, Features Editor
• October 2, 2014
Andrea Lui, Culture Editor • December 11, 2024
Mehr Kotval, Opinion Editor • December 11, 2024
Eva Mundo, Contributing Writer • December 11, 2024
Sidney Snider, Sports Editor • December 11, 2024