Do you know all 15 of NYU’s music majors?

Under the Arch

Do you know all 15 of NYU’s music majors?

 

Spanning across three different schools, a path in music is closer than you think.

 

Dani Biondi, Film & TV Editor | Feb. 28, 2025
(Kyra Reilley for WSN)
Situated in the heart of New York City, it’s no surprise that NYU’s arts programs, including its music classes, are renowned throughout the country. But with 15 undergraduate music programs at the main campus, the particularities of each program can feel difficult to discern. Here’s a breakdown of the different ways to study music at NYU, according to school data and department faculty. 

Most of NYU’s music programs are situated within Steinhardt School of Culture, Education, and Human Development’s multi-disciplinary Department of Music and Performing Arts Professions. The Fall 2024 cohort for MPAP is composed of 806 undergraduate students, according to department data. Just over a third of MPAP undergraduate students study performance, but the program also offers other areas of study such as music business, arts education and composition.

“Music Technology in Music and Performing Arts Professions department is an interdisciplinary program at the intersection of music, audio, science and technology,” said Director of Music Technology Paul Geluso. “Many classes and major projects in our program mix a passion for music or audio with skills in software and hardware.”

Distribution of MPAP Areas of Study:

 Performance (Brass Studies, Jazz Studies, Percussion Studies, Piano Studies, String Studies, Vocal Performance, Woodwind Studies): 34%

 Music Business and Arts Administration (Music Business, Performing Arts Administration): 28%

 Arts Education and Therapy (Dance Education, Drama Therapy, Educational Theatre, Music Education, Music Therapy):  5%

 Music Composition and Technology (Concert Composition, Music Technology, Screen Scoring, Songwriting): 33%

Programs: 13 Bachelor of Music programs

Number of Faculty: 49*

*Full-time and adjunct faculty

Facilities: 

Performance and recording facilities

Music technology studios (recording and computer music studios)

Frederick Loewe Theatre

Provincetown Playhouse

Black Box Theatre

Rehearsal facilities

Third Avenue North Practice and Learning Center: Jazz and Piano Studies

Percussion Penthouse Suite

35 W. Fourth St.

The Paulson Center

Course examples:

Theory & Practice I: Global Approaches to Music

An introduction to tools and vocabulary for critically engaging with music from a broad range of styles and repertoire. Topics include rhythmic and metric organization, melodic structure, ornamentation, instrumental families and texture.

Rights, Revenue & Relationships: What Music Creators Need To Know

A course that teaches students how to protect and maximize rights, revenue streams and professional relationships that flow from their work. 

Business Structure of the Music Industry

A music business course common among Business of Entertainment, Media and Technology minors.

Common internships/postgraduate opportunities:

Music recording studios, sound and game design studios, music software/hardware companies, record labels and live entertainment venues

Are you surprised the College of Arts & Science has a music major? Between 30 and 40 students call the Bachelor of Arts program home, according to Director of Undergraduate Studies Brigid Cohen. 

 

“Our program emphasizes rigorous skills in writing, research, close reading, close listening, aesthetic interpretation, historical knowledge-building and imagination, and the creation of expressive works across a range of media,” Cohen said. “Compared to other music programs at NYU, we offer courses in a particularly wide range of musical traditions and genres.”

 

Program: Bachelor of Arts in Music

Number of Faculty: 22*

Facility: N/A

*Core and adjunct faculty

 

Course examples:

The Art of Listening:

A course teaching a basic vocabulary of musical terms, concepts and listening skills to describe their responses to musical experiences. Students examine the structure and style of influential works in the Western art music repertoire, popular music or other musical cultures, with attention to the wider social, political and artistic context.

 

Special Topics Seminars

These seminars focus on specific soundscapes, cultures or time periods. Example courses include Reggaetón as a Decolonial Movement, which explores the genre’s influence in 20th and 21st-century American popular culture, and Music Between the Cracks: Listening to, Notating and Composing Non-Grid Musics allows students to develop structural analysis and close listening skills in music from composers throughout music history. 

 

Common internships/postgraduate opportunities:

Sound studios, concert halls, museums, libraries, record companies, sound engineering, music business, music scholarship and arts administration (law, medicine, psychology, computer science, journalism, information science, archival studies)

Perhaps you’ve heard of the Clive Davis Institute of Recorded Music even before thinking about college from that viral video of musician and producer Pharrell Williams discovering Maggie Rogers during a masterclass. Between 60 and 70 students are admitted as Recorded Music majors annually, according to Clive Davis Institute Associate Chair Nick Sansano. 

 

“[The] department promotes creative entrepreneurship,” Sansano said. “If you’re coming to the Clive Davis Institute, you’re agreeing to take courses in music theory and songwriting, but you’re also making an obligation to taking core courses in business and legal affairs, history and criticism of popular music, production and learning how to operate a recording studio –- both digital and analog.”

 

Unlike other music majors at NYU, Recorded Music students are required to study away for a semester. They have the option to participate in the Clive Davis Berlin program and learn from industry professionals within Berlin’s music scene. Around 25 students are admitted to study in Berlin per semester, according to Sansano.

 

Program: Bachelor of Fine Arts in Recorded Music

Number of Faculty: 66*

Facility: 370 Jay St., Brooklyn, NY (on NYU Tandon campus)

*Full-time and adjunct faculty

 

Course examples:

Producing the Record

A two-sequence course titled Sides A and B aimed to both teach and provide hands-on learning about music production in the studio.

 

Mix Intensive

Along with every facet of music production, mixing audio has been hugely impacted by the paradigm shift created by digital technologies. The objective is to refine mixing skills and expand the repertory of techniques. 

 

Common internships/postgraduate industries: 

A&R, music editing, music supervision within film and TV, publishing, composition, journalism, production, legal affairs and artist management

Contact Dani Biondi at [email protected].