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New York University's independent student newspaper, established in 1973.

Washington Square News

New York University's independent student newspaper, established in 1973.

Washington Square News

New York University's independent student newspaper, established in 1973.

Washington Square News

Two women sit on a log bench smiling.

Review: ‘My Old Ass’ is a fresh twist on the coming-of-age dramedy

Megan Park crafts a hilariously philosophical tale through smart dialogue, a magnetic cast and a refreshing premise.
Lulu Chatterjee, Staff Writer September 12, 2024

We’ve all fantasized about coming face-to-face with our older selves at one point or another — wondering what they’d look like, what they’d be doing or who they’d spend...

A girl dancing at a party with purple lights.

WSN’s guide to the 62nd New York Film Festival

In anticipation of this year’s New York Film Festival, WSN has put together a list of must-see movie premieres that you will want to secure tickets for before they sell out.
Dani Biondi, Film & TV Editor September 9, 2024

This year, the New York Film Festival — which runs from Sept. 27 to Oct. 14 — will celebrate its 62nd anniversary. With the festival’s Main Slate featuring films from 24...

A man in a black shirt, a woman in a brown sweater, a teenage girl in a gray knit sweater and a child in a blue-and-green striped shirt look scared and are holding one another. They are sitting in a dark children’s bedroom.

Review: The only thing to fear in ‘AfrAId’ is the next generation of iPad kids

No amount of jumpscares could save the mediocrity of Blumhouse’s newest release.
Karina Rower, Under The Arch Editor September 6, 2024

Spoiler warning: This article contains spoilers for“AfrAId.” Old habits die hard. Blumhouse Productions’ latest horror movie — if you can call it that — is a haphazardly...

Movie screengrab of five people gathered in a room entrance, the central figure is a brunette man in a tan suit.

Review: The sunny ‘La chimera’ finds tenderness in graverobbing

In this tale of stolen artifacts and found families, a long-lost love shines through.
Ethan Beck, Staff Writer April 29, 2024

Who’s allowed to unravel lost memories and hidden traumas? In her latest film “La chimera,” Italian filmmaker Alice Rohrwacher ponders this central question. Similar to her...

A giant gorilla wielding a spear.

Review: In ‘Godzilla x Kong: The New Empire,’ Godzilla is nowhere to be found

The newest installment of the MonsterVerse franchise is a try-hard successor of “Godzilla vs. Kong.”
Kaitlyn Sze Tu, Contributing Writer April 16, 2024

The MonsterVerse movie formula seemed impossible to get wrong. How could you mess up bringing together two of cinema’s most iconic monsters? The opening scene delivers...

Illustration of a laptop screen and red mug in front of a purple background, on the screen there are two women walking in a park kicking their legs out in sync.

Off the Radar: ‘Attenberg’ is a transformative repose

Off the Radar is a weekly column surveying overlooked films available to students for free via NYU’s streaming partnerships. “Attenberg” is available to stream on Kanopy.
Amalia Rizos, Contributing Writer April 12, 2024

We’ve reached the point in the slow-going transition from winter to spring of being desperate for something new — conditioning ourselves to the gloominess of a New York City...

A man with headphones speaking into a walkie talkie on a film set.

Q&A: South Korean filmmaker Lee Chang-dong on realism in cinema

With Lee Chang-dong’s upcoming retrospective at the Metrograph, WSN spoke with the legendary South Korean filmmaker about the significance of realism in his films.
Tony Jaeyeong Jeong, Staff Writer April 8, 2024

Director Lee Chang-dong’s films are uniquely Korean, and throughout his career, his work has served as cultural beacons for the future of Korean cinema. “Peppermint Candy”...

An illustration of a man with brown hair and a blue shirt wearing movie theater 3D glasses that say "VERSUS" across the lenses.

‘Free Time’ subverts any semblance of competent adulthood

I would call “Free Time” incompetence porn, but it’s not.
Liv Steinhardt, Contributing Writer April 5, 2024

Meek data analyst Drew (Colin Burgess) — determined to quit his job — stutters to his boss, “If I have to input more numbers into a little box, I-I’m going to have some...

A man wearing a black trench coat and green crocs leans on a teal front door.

Review: ‘High & Low: John Galliano’ captures a fashion icon falling apart at the seams

The documentary chronicles fashion designer John Galliano’s career in full, but falters in redeeming his character following incidents of antisemitism.
Karina Rower, Deputy Copy Chief April 2, 2024

In the early aughts, John Galliano’s creative direction led fashion houses Givenchy, Dior and Maison Margiela to widespread success. With a flair for the outlandish and avant-garde,...

A cartoon panda with a straw hat and a red cape winds up a punch to a flying green stingray on a black background with a yellow flash.

Review: ‘Kung Fu Panda 4’ lacks what made its predecessors so charming

DreamWorks Animation’s latest addition to the decade-long series lacks the ingenuity and emotional core of its predecessors.
Tony Jaeyeong Jeong, Staff Writer March 26, 2024

Once again, our favorite animated panda is back. The first “Kung Fu Panda” film released in 2008, winning the hearts and minds of critics and audiences alike, making it one...

Black and white photo of a man in a fuzzy zip-up jacket and glasses looks up to the right.

Q&A: Filmmaker Neo Sora on capturing Ryuichi Sakamoto’s final performance

WSN spoke with director Neo Sora about his latest film “Ryuichi Sakamoto | Opus,” the late musical icon’s last recorded concert.
Mick Gaw, Film & TV Editor March 15, 2024

Based in both New York and Tokyo, Japanese American filmmaker Neo Sora is a relative newcomer to the world of cinema. Named one of the “25 New Faces of Independent Film” by...

Split-image illustration of cartoon characters with a dark blue background. A young boy in orange clothes with an arrow tattoo on his forehead is at the center. A man and a woman controlling fire and water are on the right side. There’s a flying bison, blue mask and another woman in face paint with a headdress on the left.

Review: Netflix’s ‘Avatar: The Last Airbender’ is rough, buddy

The live-action adaptation of “Avatar: The Last Airbender” rarely ever excels as a shot-for-shot remake of the popular cartoon, ultimately frustrating longtime fans of the original.
Carmo Moniz and Yezen Saadah March 15, 2024

Warning: This review contains spoilers for “Avatar: The Last Airbender.” Two of your favorite WSN staffers offer their thoughts on one of the most anticipated shows of the...