
‘The Invisible Man’: The Hit You Didn’t See Coming
The latest edition to the “Invisible Man” canon is an effective horror on looming trauma.
Isabella Armus, Contributiing Writer
• March 10, 2020

‘The Day Shall Come’ Boldly Lampoons Terror and the FBI
“Four Lions” director Chris Morris takes a stab at religion, terrorism and petty government feuds.
Nicholas Weid, Contributing Writer
• October 3, 2019

‘The Silence’: A Netflix Algorithm Mishap
Netflix’s algorithms have predicted some of our favorite original productions, but “The Silence” isn’t one of them.
Yaroslava Bondar, Staff Writer
• April 23, 2019

Review: Puberty Sucks But ‘Eighth Grade’ Doesn’t
Ryan Mikel, Arts Editor
• July 13, 2018

“Louder Than Bombs” Experiments With Time Successfully
Dejarelle Gaines, Copy Chief
• April 8, 2016

‘Sweet Bean,’ From Japan, Is Slow Yet Satisfying
Carter Glace, Staff Writer
• March 25, 2016

Visually Stunning “Krisha” Only Tells a Hackneyed Story
Dejarelle Gaines, Copy Chief
• March 24, 2016

Alum’s Documentary Highlights Immigration Issue
Daria Butler, Staff Writer
• March 24, 2016

‘Highway’s’ bumpy ride ultimately rewarding
February 21, 2014

Yezen Saadah, Editor-in-Chief • April 2, 2025

Yanel Siqueiros, Contributing Writer • April 2, 2025

Dylan Henschen, Staff Writer • April 2, 2025

Shanay Tolat, Deputy Opinion Editor • April 2, 2025

Sidney Snider, Sports Editor • April 2, 2025