‘The Invisible Man’: The Hit You Didn’t See Coming
The latest edition to the “Invisible Man” canon is an effective horror on looming trauma.
Isabella Armus, Contributiing Writer
• March 9, 2020
‘The Day Shall Come’ Boldly Lampoons Terror and the FBI
“Four Lions” director Chris Morris takes a stab at religion, terrorism and petty government feuds.
Nicholas Weid, Contributing Writer
• October 2, 2019
‘The Silence’: A Netflix Algorithm Mishap
Netflix’s algorithms have predicted some of our favorite original productions, but “The Silence” isn’t one of them.
Yaroslava Bondar, Staff Writer
• April 22, 2019
Review: Puberty Sucks But ‘Eighth Grade’ Doesn’t
Ryan Mikel, Arts Editor
• July 13, 2018
“Louder Than Bombs” Experiments With Time Successfully
Dejarelle Gaines, Copy Chief
• April 8, 2016
‘Sweet Bean,’ From Japan, Is Slow Yet Satisfying
Carter Glace, Staff Writer
• March 24, 2016
Visually Stunning “Krisha” Only Tells a Hackneyed Story
Dejarelle Gaines, Copy Chief
• March 23, 2016
Alum’s Documentary Highlights Immigration Issue
Daria Butler, Staff Writer
• March 23, 2016
‘Highway’s’ bumpy ride ultimately rewarding
February 20, 2014
Dharma Niles, News Editor • November 22, 2024
Yasmin Minos, Staff Writer • November 22, 2024
Mariapaula Gonzalez, Deputy News Editor • November 22, 2024
Siobhán Minerva, Deputy Arts Editor • November 22, 2024