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Five movies to watch if you wanted more from ‘The Lost Daughter’
Maggie Gyllenhaal's “The Lost Daughter,” starring Olivia Coleman and Dakota Johnson, explores young motherhood and its impact on identity. Here are some movies that do that better.
Lorena Campes, Staff Writer
• February 9, 2022
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Unpopular Opinion: A24 Films
Before you watch “Under the Silver Lake,” let’s revisit past A24 films and break down if they’re really as good as Tisch kids say they are.
Nicole Rosenthal, Guru Ramanathan, Alex Cullina and Dante Sacco
• April 16, 2019
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Staff Recs: Best Movie Soundtracks and Scores
Ryan Mikel, Nicole Rosenthal, Guru Ramanathan, Daniella Nichinson and Alex Cullina
• October 25, 2018
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Staff Recs: Best Actors-Turned-Directors
Ryan Mikel, Guru Ramanathan, Daniella Nichinson, Ali Zimmerman and Nicole Rosenthal
• October 11, 2018
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Why Students Love These Indie Film Studios
Taylor Stout, Staff Writer
• September 23, 2018
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A Renaissance in Independent Filmmaking
Natalie Whalen, Film Editor
• April 4, 2018
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NYU at the Oscars, Again
Alex Cullina, Contributing Writer
• January 26, 2018
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SAG Awards Sidestep the Big Issues
Lily Dolin, Staff Writer
• January 23, 2018

Globes’ Misguided Genre Bending
Natalie Whalen, Film Editor
• January 22, 2018
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Greta Gerwig and the Indie That Could
Ryan Mikel, Entertainment Editor
• December 4, 2017
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‘Lady Bird’ Is A Testament to Growing Up and Getting Out
Ryan Mikel, Entertainment Editor
• October 31, 2017
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Amanda Chen, Deputy News Editor • February 21, 2025
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Paige Ablon, Contributing Writer • February 21, 2025
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Grace Tan, Identity & Equity Editor • February 21, 2025
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Yael Grosman, Contributing Writer • February 21, 2025