Review: ‘Zero Day’ should be impeached
Netflix’s new star-studded limited series is poorly made and afraid to meaningfully comment on our current political landscape.
The Oscars have a category fraud problem
Kieran Culkin and Zoe Saldaña are front-runners in the supporting categories, but should they even be there?
8 must-watch films by Black female directors
From historical dramas to romantic comedies, here are some films to add to your watchlist — and not just during Black History Month.
10 guilty pleasure albums that we unapologetically love
Here’s what’s playing in our headphones when no one else is listening.
The case for ‘The Brutalist’
This over three-hour period epic has a lot to say. Here’s why it should sweep this year’s Oscars.
Review: ‘I’m Still Here’ is Brazil’s anti-authoritarian message to the world
Nominated for three Academy Awards, Walter Salles’ profound family drama is just as emotionally resonant as it is politically relevant.
6 of 2024’s most overlooked movies
Before “Anora” and “Wicked” become the unbridled talk of the town, take a look at a few of 2024’s most underrated gems.
Review: ‘Juror #2’ is a timely and subversive hit piece on American institutions
All objections are overruled in Clint Eastwood’s newest film.
Review: ‘Conclave’ is not the answer to our prayers
Despite a standout lead performance, Edward Berger’s star-studded drama misses the mark with its lack of relevant commentary surrounding the Catholic Church.
Review: ‘The Featherweight’ is a certified heavy hitter
Robert Kolodny’s new boxing faux-documentary takes us back to ’60s Connecticut, where Willie Pep plots his return to the ring.
Review: Transform your expectations with ‘Transformers One’
Josh Cooley’s newest film provides the backstory of Optimus Prime and Megatron in a riveting animated format.
