Review: ‘Shucked’: How Broadway’s newest comedy subverts theater tropes
The new musical comedy follows a woman investigating the abrupt disappearance of corn from a rural American town. When an entire audience cheers for a plant growing, you know you’re doing something right.
Review: Don’t waste your time with ‘Winnie the Pooh: Blood and Honey’
Gratuitous gore and pretentious attempts at subversion fail to impress in this abomination of a film. “Winnie the Pooh: Blood and Honey” is now playing in select theaters, but certainly don’t go out of your way to see it.
To critics of ‘Bodies Bodies Bodies’: Let movies be stupid again, please
Described as “Euphoria With Knives” by New York Times critic Lena Wilson, Halina Reijn’s spirited Gen Z slasher “Bodies Bodies Bodies” garnered some negative first impressions from viewers who either didn’t realize it was satire or hate fun.
Review: ‘Thinking of You. I Mean Me. I Mean You.’ is all too relevant in a post-Roe era
Barbara Kruger’s newest exhibit is the most commercial, anti-capitalist exhibition about power dynamics and bodily autonomy.
‘Discoholics Anonymous’ breathes life back to disco
Discoholics’ second album “Discoholics Anonymous” proves as addictingly groovy as its first.
