Skip to Main Content
New York University's independent student newspaper, established in 1973.

Washington Square News

New York University's independent student newspaper, established in 1973.

Washington Square News

New York University's independent student newspaper, established in 1973.

Washington Square News

An illustration of the Washington Square Arch. Behind the arch sits gray and brown alternating high-rises. On the top right are the words “The Daybook” in an arched shape.

What to do this week: PowerPoint comedy show and the Little Red Lighthouse

The Daybook is WSN’s weekly column listing in-person and online events at NYU and across New York City. This week: Oct. 3 to Oct. 9.
Lauren Ashe, Deputy News Editor October 2, 2022

An interview with author Edmund White 1 p.m. online Catharine Stimpson, the former dean of the Graduate School of Arts and Science at NYU, will interview award-winning author...

Person holding a red-covered comic book is looking up, standing in front of a shelf of cartoon books.

Director & star of A24’s ‘Funny Pages’ talk comics, subversive mentors & trusting your voice

WSN spoke with director Owen Kline and actor Daniel Zolghadri about their recent raunchy comedy. “Funny Games” is currently playing at Film at Lincoln Center and is available for rent on video on demand.
Nicolas Pedrero-Setzer, Arts Editor September 1, 2022

Spoiler warning: This article includes spoilers for “Funny Pages.” Several years in the making, Owen Kline’s directorial debut “Funny Pages” offers a laugh that’s...

A woman with orange hair and a black headband wears a pensive expression. She has one hand next to her mouth and appears to be biting a bit of her nail. Behind her there is a window that looks out to green trees and grass.

Review: Post-grad panic personified in ‘The African Desperate’

Anxiety, memes and art school cliches coalesce in Martine Syms’ hazy directorial debut. The film played as part of New Directors/New Films 2022 at Film at Lincoln Center.
Isabella Armus, Deputy Arts Editor April 29, 2022

Graduation is absurd. Although it’s regarded as a fundamental rite of growth and transition, the ceremony — or, rather, the awkward procedure — is never quite as climactic...

A man with a long beard and hair stares straight ahead, his eyes downcast. He’s wearing a plain white shirt and is against a background of painted sideways flames.

Review: ‘Los Conductos,’ a woozy ride through the sunken corridors of Medellín

Camilo Restrepo’s debut feature, “Los Conductos,” offers a wild ride through Medellín’s criminal underworld. “Los Conductos” opens at Film at Lincoln Center on April 29.
Nicolas Pedrero-Setzer, Arts Editor April 27, 2022

Camilo Restrepo announces himself to cinema in a blaze of glory with his feature film debut “Los Conductos.” Following Pinky’s (Luis Felipe Lozano) aimless parade across...

A still from the film of two women looking to the side and laughing. They are surrounded by metal bars on the side and are wearing saris.

Review: ‘Shorts Program II’ muses on death, memory and the fear of looming ecological disaster

New Directors/New Films 2022’s second program of short films collects a strong string of strange films concerned with humanity’s sense of impending death. “Shorts Program II” plays on Wednesday, April 27, at Film at Lincoln Center.
Nicolas Pedrero-Setzer, Arts Editor April 26, 2022

The New Directors/New Films Festival continues its showcase of innovative short-form filmmaking with “Shorts Program II.” The second and final installment of ND/NF’s short...

An animated still of twin sisters driving a car. One is clutching the steering wheel looking ahead, while the other looks out the window.

Review: ‘Shorts Program I’ shows the youthful side of cinema with an assemblage of global coming-of-age stories

New Directors/New Films 2022’s first program of short films collects a diverse sampling of stories from around the globe and touches on the pains of growing up in the modern world. “Shorts Program I” plays on Tuesday, April 26, at Film at Lincoln Center. 
Nicolas Pedrero-Setzer, Arts Editor April 26, 2022

New Directors/New Films collects the most exciting voices of up-and-coming filmmaking. Although the festival’s feature-length titles, such as “Los Conductos” or “We’re...

A figure dressed in white fire-resistant suit walking away from an eruption of lava.

Review: ‘Fire of Love’ explores the visceral force of volcanoes and passion

“Fire of Love” is a fiery love story. The film will debut at the 2022 New Directors/New Films festival at Film at Lincoln Center on April 27.
Amira Aboudallah, Contributing Writer April 25, 2022

Spoiler warning: This article includes spoilers for “Fire of Love.” “Fire of Love” (2022), directed by Sara Dosa and screening at New Directors/New Films, tells the...

Three women wearing pink and white dresses gather around two men wearing black and white tuxedos. They toast their glasses in front of a stained-glass and wooden wall behind a table with a pink table cloth, flowers and lit candles.

Review: ‘The Cathedral’ is an understated stunner

“The Cathedral,” Ricky D’Ambrose’s latest, is carefully intimate yet captivating in its distance. The film is playing as part of New Directors / New Films 2022 at Film at Lincoln Center beginning on April 23.
Holden Lay, Staff Writer April 22, 2022

With his sophomore feature, “The Cathedral,” director Ricky D’Ambrose, best-known for tightly constructed narrative and documentary shorts, crystallizes his highly stylized...

An illustration of the Washington Square Arch. Behind the arch sits gray and brown alternating high-rises. On the top right are the words “The Daybook” in an arched shape.

What to do this week: MLK Week, New York Fashion Week

The Daybook is WSN’s weekly column listing in-person and online events at NYU and across New York City. This week: Attend NYU’s MLK Week events or watch the Super Bowl.
Kristian Burt and Rachel Cohen February 6, 2022

A vigil for Michelle Go 6:30-7:30 p.m. on Zoom Free, open to the public Join the university community in a memorial for NYU alum Michelle Go, who was killed in the...

Márta Mészáros’ film “The Girl” examines the repression of women in 1960s Hungary. The film is considered a groundbreaking work of feminist cinema. (Image courtesy of Janus Films)

Review: ‘The Girl’ is a landmark of feminist filmmaking

The debut film by trailblazer Márta Mészáros is an insightful examination of the repression of women in Hungary in the 1960s. The film played as part of Film at Lincoln Center’s retrospective of the famed Hungarian feminist filmmaker.
Sebastian Zufelt, Staff Writer February 4, 2022

This past month, Film at Lincoln Center held a retrospective of Márta Mészáros, a greatly underappreciated filmmaker, who was a vanguard female director in Hungary. After making...

Filmmaker Márta Mészáros offers a feminist outlook in her 1975 film “Adoption,” which depicts the friendship of two Hungarian women. (Image courtesy of Janus Films)

Review: ‘Adoption’ examines the interiority of feminism

“Adoption” depicts the hardships of two women in Hungary in the 1970s. The film played as part of Film at Lincoln Center’s retrospective on the famed Hungarian feminist filmmaker Márta Mészáros.
Katherine Williams, Contributing Writer February 3, 2022

Though Márta Mészáros is known primarily for her masterful feature films, she began her career making documentaries. She was originally oriented, perhaps, toward depictions...

All Lights, Everywhere provides a  stunning and insightful commentary on the development of cameras, and surveillance. The film delves deep into how the images produced are shaped not only by the camera but the people behind the lenses. (Image courtesy of NEON Productions)

‘All Light, Everywhere’ offers an enlightening viewing experience

Theo Anthony’s documentary on surveillance, policing and the strange relationship between the development of guns and cameras will close out this year’s New Directors/New Films Festival.
Nicolas Pedrero-Setzer, Arts Editor May 3, 2021

Theo Anthony’s “All Light, Everywhere” is that rare type of film that forces viewers to reappraise their reality. It chips away at viewers’ preconceptions of authority...