Books

Review: The pain and beauty of modern intimacy in ‘Closer Baby Closer’
Savannah Brown’s third poetry collection is an exploration of the existential horror of knowing and being known. Fittingly released on Feb. 14, Brown’s newest title contains her most intimate work yet.
Stephanie Wong, Film & TV Editor
• February 14, 2023

Review: ‘I’m Glad My Mom Died’ offers a new take on memoirs
“iCarly” comedian Jennette McCurdy lays everything bare in her debut novel.
Madeline Kane, Staff Writer
• November 4, 2022

Review: Suad Amiry’s ‘Mother of Strangers’ powerfully portrays Palestinian life
Based on a true story, “Mother of Strangers” tells the devastating love tale of Subhi and Shams in Jaffa during the end of British rule in Palestine.
Yezen Saadah, Staff Writer
• October 31, 2022

Reading Guide: Fall in love with Deborah Levy
Deborah Levy’s writing has the bittersweet simplicity of Hemingway and the intriguing strangeness of Murakami with a key element both authors lack: well-developed female characters.
Audrey Abrahams, Contributing Writer
• October 28, 2022

Review: ‘Klara and the Sun’ examines humanity through the eyes of a machine
Kazuo Ishiguro's eighth novel explores individuality and human complexity through the unique perspective of Klara, an artificially-intelligent robot.
Rylee La Testa, Staff Writer
• October 4, 2022

Q&A: Kazuo Ishiguro on Joni Mitchell, ‘War and Peace’ and the future of storytelling
Abby Wilson, News Editor
• October 4, 2022

Q&A: Colum McCann says ‘storytelling is the most democratic thing that we have’
In his novel “Apeirogon,” National Book Award winner Colum McCann writes about Palestine, and Irish literature beyond Ireland.
Natasha R. Roy, Contributing Writer
• September 29, 2022

Staff Recs: Back to school
The Arts Desk spotlights some of their favorite artworks dealing with the highs and lows of college life.
Yas Akdag, Natalia Palacino, Nicolas Pedrero-Setzer, Clara Scholl and Stephanie Wong
• September 12, 2022

Review: ‘Lapvona’ encapsulates abject apoliticism
As Ottessa Moshfegh’s trademark gallows humor grows formulaic, her newest novel does little more than snicker at a group of Slavic peasants.
Natasha R. Roy, Contributing Writer
• September 7, 2022

Review: In ‘Time is a Mother,’ Ocean Vuong explores grief through the prisms of time and space
Published on April 5, 2022, Ocean Vuong’s new collection of writing situates the death of his mother within the remnants of memory and the potential of language.
Katherine Williams, Contributing Writer
• May 2, 2022

Review: ‘In the Margins’ imagines writing without writers
Elena Ferrante’s new craft-based book demands that contemporary literature rely only on the merits of its prose.
Lillian Lippold, Contributing Writer
• April 18, 2022

Review: Maayan Eitan’s ‘Love’ is an exploration of life under the male gaze
The Israeli literary sensation’s debut novella was recently translated into English.
Stephanie Wong, Staff Writer
• April 12, 2022

Dharma Niles, Editor-In-Chief • October 10, 2025

Robin Young, Contributing Writer • October 10, 2025

Eva Mundo, Deputy News Editor • October 10, 2025

Yuuki Lubin, Contributing Writer • October 10, 2025

Yezen Saadah, Staff Writer • October 10, 2025