The budding 22-year-old filmmaker Quinn Shephard made her directorial debut at 15, and this year at Tribeca Film Festival, she's taken a shot at writing, directing and starring in "Blame," a new take on the Arthur Miller classic "The Crucible."
Director Roberto Berliner’s quietly scrutinizing camera brings the life of famed psychiatrist Dr. Nise da Silveira — a pioneer in moving away from ice-pick lobotomies to more humane, expressive therapies — to life in "Nise: The Heart of Madness."
“Flower” examines the mental trials and tribulations of both free-spirited and closed individuals, and most of the time it manages to pull it off. It is a complex film of underage sex and family relationships, but somehow manages to be both candid and serious.
The newest season of "Fargo" has officially returned, and the return to Minnesota's snowy and mysterious landscape is perfectly sinister with the Coen brother's original film.
"November" is a chilly and gleefully spiteful dance of 19th-century Estonian villagers, their ruling German barons and helpful demons possessing makeshift bodies of farm tools and discarded bones.
How do you live in a world where the very presence of a cellphone in the room can slur your speech and cause blood in your stool? As it turns out, very carefully.
After centuries of mistranslation of the original Greek word that we know as "bittersweet," author Stephanie Danler is putting the translation — and female sexual consent — into a new light.
With timing eerily parallel to current struggles to protect the rights of women and the LGBT community, Margaret Atwood's dystopic "The Handmaid's Tale" has officially had its premiere at the Tribeca Film Festival.
Steinhardt's Media, Culture and Communications hosted its second annual student showcase at the Media Lab last week, hosting art that gave critiques on everything from conventional beauty standards to government surveillance.
