In a stunningly poignant portait of grief, Kim A. Snyder's documentary of the Sandy Hook shooting brings us back to the awful fact that the events that day were not just a stunning addition to a saddening statistic, but real people who lost their lives.
In an impressive feat of theatrical talent, NYU Tisch professor Evan Zes plays over 30 characters in the one-man show of the true story of a man who raked in thousands of dollars from a scam on his rent-controlled apartment.
In a time where there are more black people incarcerated than there were recorded slaves in the history of the United States, Luke Cage brings a much-needed bulletproof black man to the screen and gives Marvel the revival it much needed.
In his new film "Blue Jay," Alex Lehmann takes a shot at the age-old story of two former lovers reunited by chance, with black-and-white shots and a refreshing sense of reality.
We all know the struggle of not letting an errant curse slip in front of young children, but what happens when you have to doctor your entire life to be appropriate for third graders?
With originality and spunk, "Drunk History" begins its latest season by proving that its formula for recounting history with alcohol and humor has not yet worn out it welcome.
Between Ava DuVernay's "13th" and Kenneth Lonergan's "Manchester By the Sea," this week's films at New York Film Festival exhibited the varying flavors of sorrow.
Emily Conklin, Contributing Writer
• October 5, 2016
Visual artist Gao Youjun manages to poke fun at the darker sides of today's culture while still maintaining a lighthearted humor in his exhibit "Dream On" at Chelsea Market.
Sarah Oliver's books "Zayn: A New Direction" and "Inside Taylor Nation: True Encounters With Taylor Swift" are more interesting as examples of current celebrity culture than they are as biographies, detailed though they are.
