Postmodern Jukebox: A musical time machine revives the jazz era
Scott Bradlee’s Postmodern Jukebox offers a riveting exploration into the history of the music world.
Afnan Abbassi, Staff Writer
• February 13, 2023
Review: Samia confesses all in ‘Honey’
Samia’s sophomore album is an exciting experiment in absolute honesty.
Audrey Abrahams, Contributing Writer
• February 9, 2023
‘Let’s Start Here’ is a reset for Lil Yachty’s sound
Lil Yachty reinvents his sound in “Let’s Start Here,” but his lyrics show that old habits die hard.
Sandy Battulga, Music Editor
• February 2, 2023
Review: Martin McDonagh’s ‘The Banshees of Inisherin’ depicts heartbreak and existential despair hilariously
“The Banshees of Inisherin” is undoubtedly one of the best films of the year.
Yezen Saadah, Deputy News Editor
• February 1, 2023
Fitz of Fitz and the Tantrums on his musical philosophy and upcoming tour
Michael Fitzpatrick discusses success within the music industry and the resurgence of “Out of My League” on TikTok.
Julia Diorio, Contributing Writer
• January 30, 2023
Review: ‘The Menu’ feasts upon the wealthy, our finest fear
The new film starring Anya-Taylor Joy and Ralph Fiennes offers a biting plate of class satire, served with a helping of pitch-black comedy and a dash of thrills.
Ekene Onukogu, Contributing Writer
• December 15, 2022
The unexpected connection between Adam Himebauch, Adam Lucas and Hanksy
The mysterious Adam Lucas Himebauch might seem like a 1970s visionary and prolific artist from the early ’70s, but he turns out to be much more.
Alia Arafeh, Contributing Writer
• December 12, 2022
Review: Oscar yi Hou’s ‘East of sun, west of moon’ celebrates artistic autonomy
Oscar yi Hou’s debut exhibition at the Brooklyn Museum confronts generalized notions of the global East and West in a celebration of queerness and Asian American communities.
Natalia Palacino Carmago, Books & Theater Editor
• December 6, 2022
Q&A: Greyson Chance on his music comeback and prioritizing mental health
Singer-songwriter Greyson Chance gets candid about his new era of music and his most recent album. He is playing at Gramercy Theatre on Friday, Dec. 2.
Julia Diorio, Contributing Writer
• December 1, 2022
Review: ‘FUKT’ reminds us that it’s never too late to redefine ourselves
Emma Goldman-Sherman’s ‘FUKT’ is an uplifting tale that shows how childhood trauma doesn’t ultimately define us.
Sydni Johnson, Contributing Writer
• November 29, 2022
Review: ‘Sophie Sucks Face’ is the celebration of Jewish culture we need right now
This hilarious one-woman show incorporates Jewish culture, sexuality and even kissing a cousin.
Alexandra Cohen, Opinion Editor
• November 18, 2022
Review: Drake & 21 Savage’s ‘Her Loss’ brings world-renowned rappers together
While the collaborative album remains controversial, Drake and 21 Savage encompass themes of money, misogyny and the music industry in “Her Loss.”
Ryan Carney, Contributing Writer
• November 14, 2022
Mariana Arboleda, Contributing Writer • December 4, 2024
Julia Diorio, Arts Editor • December 4, 2024
Lauren Ng, Dining Editor • December 4, 2024
Sreya Nair, Contributing Writer • December 4, 2024
Mehr Kotval, Opinion Editor • December 4, 2024