Arts
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Review: ‘Here’ is a disjointed, time-hopping mess
Robert Zemeckis' new film overrelies on AI and a fractured narrative.
Chloe Haack, Staff Writer
• November 19, 2024
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Review: The Met’s newest exhibition breathes life into Italy’s colossal history
“Siena: The Rise of Painting, 1300-1350” transports viewers to medieval Italy.
Skylar Boilard, Staff Writer
• November 18, 2024
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Books beyond Bobst: An activist’s self-help book, a new Percy Jackson novel and more
Books beyond Bobst is a book-rec column highlighting what NYU students are reading now, outside of their classes. If you’re in need of a new read, look no further.
Alexa Donovan, Anjali Mehta, Aashna Miharia and Mariana Arboleda
• November 18, 2024
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Review: ‘Barbie®: A Cultural Icon’ offers hope for women in uncertain times
The Museum of Arts and Design’s new exhibition helps women begin to heal when all might feel lost.
Skylar Boilard, Staff Writer
• November 15, 2024
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Beyond awareness: Jane Schoenbrun’s radical trans future
This Transgender Awareness Week, let’s consider a more expansive definition of what trans art can be.
Sawyer Gouw Ranzetta, Staff Writer
• November 15, 2024
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Review: ‘Maybe Happy Ending’ melts even the most robotic hearts
The new Broadway musical starring Darren Criss and Helen J Shen is a refreshing comedy merging robots and romance.
Ella Sabrina Malabanan, Staff Writer
• November 14, 2024
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Review: The Cure takes on death in gothic rock fashion with ‘Songs of a Lost World’
Sixteen years since its last album and almost 50 years since the band formed, The Cure is back with its strongest album since “Disintegration.”
Joe Paladino, Staff Writer
• November 14, 2024
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Review: ‘Allen Sunshine’ hooks the heart with friendship, music and the gentle art of healing
NYU alum Harley Chamandy's debut film helps a mourning man rediscover life’s quiet joys.
Chloe Haack, Staff Writer
• November 14, 2024
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Review: Shakespeare takes on vaping, crop tops and energy drinks
With Rachel Zegler and Kit Connor, the new adaptation of Romeo + Juliet makes Shakespeare relatable to a new generation.
Adrianna Nehme, Deputy Managing Editor
• November 13, 2024
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Review: ‘Emilia Pérez’ takes big risks with little payoff
Despite its genre-blending ambition, the Cannes award-winning film is less than the sum of its parts.
Sawyer Gouw Ranzetta, Contributing Writer
• November 13, 2024
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Review: ‘Juror #2’ is a timely and subversive hit piece on American institutions
All objections are overruled in Clint Eastwood’s newest film.
Leo Field, Staff Writer
• November 13, 2024
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Review: ‘Eternal Atake 2’ is Lil Uzi’s eternal mistake
Lil Uzi Vert reaches a new creative low with a rushed, disappointing sequel album that falls short of its predecessor.
Antonio Johri, Contributing Writer
• November 12, 2024
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Amanda Chen, Deputy News Editor • February 21, 2025
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Paige Ablon, Contributing Writer • February 21, 2025
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Grace Tan, Identity & Equity Editor • February 21, 2025
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Yael Grosman, Contributing Writer • February 21, 2025