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Review: In ‘Time is a Mother,’ Ocean Vuong explores grief through the prisms of time and space
Published on April 5, 2022, Ocean Vuong’s new collection of writing situates the death of his mother within the remnants of memory and the potential of language.
Katherine Williams, Contributing Writer
• May 2, 2022
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Off the Radar: ‘Woman in the Dunes,’ a twinge of horror in the eyes of monotony
Off the Radar is a weekly column surveying overlooked films available to students for free via NYU’s streaming partnerships. “Woman in the Dunes” is available to stream on Kanopy.
Amira Aboudallah, Contributing Writer
• April 29, 2022
Will Wood wants to be authentic, whatever it takes
Avant-pop musician Will Wood talked with WSN about the perils of social media, his upcoming album, “In Case I Make It,” and how his mental health has shaped his music.
Caitlin Hsu, UTA Publishing Editor
• April 29, 2022
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Review: ‘Vortex’, a reminder that death is destiny
Gaspar Noé’s latest, “Vortex,” offers a simple, albeit heavy, meditation on death. “Vortex” opens in select theaters this weekend.
Nicolas Pedrero-Setzer, Arts Editor
• April 29, 2022
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Review: Post-grad panic personified in ‘The African Desperate’
Anxiety, memes and art school cliches coalesce in Martine Syms’ hazy directorial debut. The film played as part of New Directors/New Films 2022 at Film at Lincoln Center.
Isabella Armus, Deputy Arts Editor
• April 29, 2022
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Review: ‘Quiet as It’s Kept,’ the 2022 Whitney Biennial, redefines the American experience
This year’s Whitney Biennial is an interdisciplinary showcase of contemporary American art that grapples with the social issues of a complex world.
Natalia Palacino Camargo, Contributing Writer
• April 25, 2022
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Q&A: Singer-songwriter Matt Maltese uses acerbic lyricism to articulate heartbreak and apocalyptic fears
Matt Maltese, best known for “As the World Caves In,” talked with WSN about his lyrics, the possibility of venturing into film and TV soundtracking, and his new EP, “Quiet Recordings.”
Stephanie Wong, Staff Writer
• April 22, 2022
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Off the Radar: ‘La Chinoise’ asks ‘revolutionary or revisionist?’
“Off the Radar” is a weekly column surveying overlooked films available to students for free via NYU’s streaming partnerships. “La Chinoise” is available to stream on Kanopy.
Trace Miller, Managing Editor
• April 22, 2022
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Review: ‘Petite Maman,’ a monumental miniature of magical moviemaking
“Portrait of a Lady on Fire” director Céline Sciamma’s latest effort indulges the act of seeing life through a child’s eyes. “Petite Maman” opens in select cinemas across New York City on April 22.
Nicolas Pedrero-Setzer, Arts Editor
• April 21, 2022
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The resurrection of Kim’s Video
The Alamo Drafthouse revival of the iconic Kim’s Video reestablishes video rental stores in New York.
Saige Gipson, Staff Writer
• April 21, 2022
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Review: ‘Our Flag Means Death’ revives piracy with a queer twist
The HBO Max show combines romantic comedy and historical drama to create absurd shenanigans and campy gore that are sure to entertain.
Sunny Sequeira, UTA Staff Editor
• April 18, 2022
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Off the Radar: ‘Blue’ is 79 minutes of a single color addressing the injustices of the AIDS crisis
Off the Radar is a weekly column surveying overlooked films available to students for free via NYU’s streaming partnerships. “Blue” is available to stream on Kanopy.
Nicolas Pedrero-Setzer, Arts Editor
• April 15, 2022
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Skylar Boilard, Staff Writer • February 24, 2025
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Leo Field, Staff Writer • February 24, 2025
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Krish Dev, Director of Creative & Digital Strategy • February 24, 2025
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Mariana Arboleda, Staff Writer • February 24, 2025