All content by Ben Linder

Searching For Love and Finding Heartbreak in ‘Tigertail’
Alan Yang’s new Netflix movie is a touching, heartbreaking story of immigration, sacrifice, loneliness and communication.
Ben Linder, Contributing Writer
• April 19, 2020

‘I Lost My Body’: A Hand’s Odyssey
The French Oscar nominee for Best Animated Film combines traditional animation, a surrealist adventure story starring a disembodied hand and a young man’s search for love in a world of tragedy. And it’s beautiful.
Ben Linder, Contributing Writer
• February 14, 2020

‘The End of the F***ing World’ Should Only Come Once
The second season of the much-loved show is as funny and touching as ever, but unnecessary all the same.
Ben Linder, Contributing Writer
• November 27, 2019
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Amanda Chen, Deputy News Editor • February 21, 2025
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Paige Ablon, Contributing Writer • February 21, 2025
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Grace Tan, Identity & Equity Editor • February 21, 2025
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Yael Grosman, Contributing Writer • February 21, 2025