Arts

Please don’t stop the music: Inside NYC’s thriving DJ scene
Maggie Turner, Deputy Under the Arch Editor
• February 28, 2025

Students share stage with JT and Ravyn Lenae at V100 Concert
Krish Dev, Director of Creative and Digital Strategy
• February 28, 2025

Review: 80WSE’s political exhibition leaves viewers asking for more
“Simone Weil: On the Abolition of All Political Parties” hints at Simone Weil’s argument against political factions, but does not adequately demystify the French philosopher.
Sydney Chan, Staff Writer
• February 28, 2025

WSN predicts the Oscars
Because only NYU students’ voices matter this awards season.
WSN Staff
• February 28, 2025

Review: ‘Automatic’ turns The Lumineers’ sound inside out
Twenty years into their journey, Wesley Schultz and Jeremiah Fraites have shed their signature folk softness for something strikingly unfiltered.
Sadie Pease, Contributing Writer
• February 27, 2025

Review: ‘The Monkey’ marches to the beat of its own drum
This movie’s killer may be a wind-up toy, but this horror comedy is anything but child’s play.
Annie Emans, Staff Writer
• February 27, 2025

Review: Exhibition at La Maison Française challenges the definition of art
“The Drawing of the Line” showcases the work of Bernar Venet, offering a space for artistic dialogue and reflection through the examination of lines.
Maya Santiago, Staff Writer
• February 26, 2025

Review: Drake and PARTYNEXTDOOR reunite on ‘$ome $exy $ongs 4 U’
The two Canadian artists deliver a mixed bag of 21 tracks, leaving listeners as confused as Drake seems to be.
Antonio Johri, Contributing Writer
• February 26, 2025

Review: MoMA exhibition highlights the woman who shaped the modern art world
“Lillie P. Bliss and the Birth of the Modern” is currently on view through the end of March.
Alexa Donovan, Arts Editor
• February 25, 2025

Q&A: Molly Grace can charm anyone with a single song
On the opening night of her North American tour, pop diva Molly Grace sat down with WSN to discuss the virality of her songs, queer representation and the pop music renaissance.
Amelia Knust, Staff Writer
• February 25, 2025

Review: The newest ‘Bridget Jones’ installment is unnecessary and disorienting
"Bridget Jones: Mad About the Boy” tries a tone shift but lacks the emotional depth necessary — a poor wrap-up of the beloved franchise.
Skylar Boilard, Staff Writer
• February 24, 2025

The Oscars have a category fraud problem
Kieran Culkin and Zoe Saldaña are front-runners in the supporting categories, but should they even be there?
Leo Field, Staff Writer
• February 24, 2025



Ethan Li, Staff Writer • June 10, 2025

Leena Ahmed, Contributing Writer • May 22, 2025

Amanda Chen, Deputy News Editor • May 16, 2025