Music

Review: With Wallows, ‘More’ is better
Contrary to the new EP’s title, it doesn’t take much for the indie rock band to deliver some great hits.
Dani Biondi, Film & TV Editor
• April 3, 2025

NYU Vocollision on quarterfinals and family ties
The a cappella group spoke to WSN prior to performing at the Varsity Vocals International Championship of Collegiate A Cappella semifinals on March 30.
Rory Lustberg, Staff Writer
• April 3, 2025

Review: Japanese Breakfast’s newest album is not just ‘For Melancholy Brunettes’
Led by singer-songwriter Michelle Zauner, the band’s fourth album beautifully lives between two worlds: joyous celebration and sorrowful contemplation.
Ethan Li, Deputy Copy Chief
• April 2, 2025

Playboi Carti’s 30-track opus shapes the future of Atlanta trap
Carti’s new album “MUSIC” could fuel a moshpit with its high-energy anthems, where he’s joined by Travis Scott, The Weeknd, Kendrick Lamar and more.
Antonio Johri, Contributing Writer
• April 1, 2025

Review: Divorce’s debut album is worth the wait
The band’s long-awaited record, “Drive to Goldenhammer,” delivers playfulness by creating another world.
Caia Cupolo, Contributing Writer
• March 20, 2025

Review: Lady Gaga’s ‘MAYHEM’ is a revitalized return to form
The NYU alum’s latest studio album thrives when she embraces her eccentricities and falters when she boxes herself in.
Skylar Boilard, Staff Writer
• March 18, 2025

Student rockstar Naomi Yanos on performance and new EP
The NYU senior spoke with WSN about producing their own music and the release of their newest record, “Rock in the Forest.”
Eva Mundo, Staff Writer
• March 18, 2025

Review: JENNIE’s ‘Ruby’ is the perfect balance of persona and personal
Completing the quartet of BLACKPINK’s solo projects, JENNIE’s debut album lands on top.
Amelia Knust, Staff Writer
• March 17, 2025

Review: Architects get experimental on ‘The Sky, The Earth & All Between’
The British band returns to the metal world, dipping into multiple genres across twelve songs.
Roshan Rao, Contributing Writer
• March 13, 2025

Review: ‘SALVATION’ is relentless, daunting and convoluted
In her second full-length project, Rebecca Black hits back at “Friday” haters while also asserting her presence in the electro-pop space.
Ian Sleat, Contributing Writer
• March 10, 2025

Review: LISA’s ‘Alter Ego’ is an exciting debut with questionable substance
On the K-pop star's first solo album, we meet five alter egos instead of the woman behind it all.
Amelia Knust, Staff Writer
• March 10, 2025

Review: Tate McRae ascends to pop princess status in ‘So Close to What’
The singer is her most confident self in her latest studio album, making it easily her best work to date.
Skylar Boilard, Staff Writer
• March 7, 2025

Yezen Saadah, Editor-in-Chief • May 7, 2025


Maya Joy Randolph, Video Editor • May 7, 2025

Joanne Lee, Contributing Writer • May 7, 2025

Kyra Mehta, Contributing Writer • May 7, 2025