What to do this week: Free ice skating, NYU Club Fest, student film festival
The Daybook is WSN’s weekly column listing in-person and online events at NYU and across New York City. This week: Jan. 30-Feb. 5.
Adrianna Nehme, Deputy News Editor
• January 29, 2023
Review: ‘Living’ is a remarkably pointless rendition of an all-time classic
“Living,” the British remake of Akira Kurosawa’s “Ikiru,” excels in being just that, but unfortunately offers nothing new.
Yezen Saadah, Deputy News Editor
• December 15, 2022
Review: Stop-motion animation in ‘Guillermo del Toro’s Pinocchio’ emotionally captures life’s transience
Guillermo del Toro and Mark Gustafson’s adaptation of the classic fairytale reaffirms why animation matters with a profound, heartful and incredibly moving narrative. The film is now playing at the IFC Center and available to stream on Netflix.
Yezen Saadah, Deputy News Editor
• December 12, 2022
Review: ‘Closed Circuit’ fails to examine human condition through its provocative filmmaking
Tal Inbar’s “Closed Circuit,” an international selection at DOC NYC, undermines cinema’s humanist value in exploiting trauma for insincerity and shock value.
Yezen Saadah, Deputy News Editor
• December 7, 2022
LA-based ‘Dances with Films’ festival hits the East Coast
The 26th annual “Dances with Films” festival debuted for the first time on the East Coast from Dec. 1 to 4 at Regal Union Square.
Safia Ahmad, Contributing Writer
• December 5, 2022
Review: ‘Bones and All’: Unequivocally romantic, unconventionally cannibalistic
Luca Guadagnino’s latest release, “Bones and All,” starring Taylor Russell and Timothée Chalamet, is a deft fusion of the romance and horror genres. The film was released in select theaters in New York City on Nov. 18.
Stephanie Wong, Film & TV Editor
• November 22, 2022
Q&A: American auteur Andrew Bujalski explores the faith we put in films
WSN spoke with independent filmmaker Andrew Bujalski about mumblecore, Hollywood filmmaking and his time at Harvard University with Chantal Akerman and Dušan Makavejev.
Nicolas Pedrero-Setzer, Arts Editor
• November 16, 2022
Review: ‘There There’ shoots for real emotions, despite its fake portrayal of them
American auteur Andrew Bujalski’s latest tests its viewers’ faiths by pairing scenes from actors who were never in the same room. “There There” opens in select New York City theaters on Nov. 18.
Nicolas Pedrero-Setzer, Arts Editor
• November 15, 2022
Review: ‘Is That Black Enough for You?!?’ reappraises Black filmmaking
“Is That Black Enough for You?!?” documents the forgotten chapter in American film history when Black directors drove the industry. The film is currently playing in select theaters and is available to stream on Netflix.
Yezen Saadah, Staff Writer
• November 14, 2022
Review: ‘All the Beauty and the Bloodshed’ is a stunning portrait of Nan Goldin
Laura Poitras’ documentary about Nan Goldin chronicles her life through art and activism.
Saige Gipson, Staff Writer
• November 11, 2022
Film Forum hosts ‘New Waves,’ a retrospective of New Taiwanese Cinema
“New Waves: Rediscovering Taiwanese Cinema of The 1980s” is a curated series of rare gems and classic films from this revolutionary period in film history. Tickets are available at the Film Forum box office and on their website.
Mick Gaw, Staff Writer
• November 9, 2022
NYU’s 10th Reel China Biennial envisions promising future for independent Chinese cinema
The Tisch Cinema Studies Department, the Asian Film & Media Initiative, and the Center for Religion and Media co-presented the first Reel China festival since the start of the pandemic.
Mick Gaw, Staff Writer
• November 8, 2022
Dharma Niles, News Editor • November 22, 2024
Yasmin Minos, Staff Writer • November 22, 2024
Mariapaula Gonzalez, Deputy News Editor • November 22, 2024
Siobhán Minerva, Deputy arts editor • November 22, 2024