Shara Ashley Zeiger's new play "Roughly Speaking" should have been a powerful and much-needed piece of theater giving a voice to New York's homeless, but the work fell short of magnificent after less-than-convincing acting and dialogue that lacked much intrigue.
In its world premiere, Ross Howard's new play "Two of Us" takes what could have been a redundant, sentimental story and makes it into a curiously thoughtful tale.
With just the right amount of Halloween gore and vulgarity, "The Pumpkin Pie Show: Stump Speeches" perfectly parodies the 2016 presidential election, throwing shade (or rather, guts) at both sides of the partisan debate.
Dandy Darkly's new solo show "Myth Mouth" creates a wildly entertaining performance from his quirky, unexpected monologues: be prepared for sloth meat, dogs in space and ostentatious costumes.
Amanda Quinn, Contributing Writer
• October 18, 2016
In what could have been a performance fraught with discomfort and scenes of trauma, the New York Shakespeare Exchange's portayal of Shakespeare's "The Rape of Lucrece" is amazingly nuanced.
In an impressive feat of theatrical talent, NYU Tisch professor Evan Zes plays over 30 characters in the one-man show of the true story of a man who raked in thousands of dollars from a scam on his rent-controlled apartment.
We all know the struggle of not letting an errant curse slip in front of young children, but what happens when you have to doctor your entire life to be appropriate for third graders?
