Arts

Q&A: Braden Bales has nothing to hide
Prior to the release of his new single “SUBTITLE,” the pop-rock artist spoke to WSN about being an open book — both musically and online.
Dani Biondi, Film & TV Editor
• April 4, 2025

Review: With Wallows, ‘More’ is better
Contrary to the new EP’s title, it doesn’t take much for the indie rock band to deliver some great hits.
Dani Biondi, Film & TV Editor
• April 3, 2025

The Brooklyn Museum reflects on 200 years and embraces change
The Brooklyn Museum celebrates its bicentennial with the exhibition “Breaking the Mold: Brooklyn Museum at 200,” honoring both past work and new additions.
Petunia Hu, Contributing Writer
• April 3, 2025

NYU Vocollision on quarterfinals and family ties
The a cappella group spoke to WSN prior to performing at the Varsity Vocals International Championship of Collegiate A Cappella semifinals on March 30.
Rory Lustberg, Staff Writer
• April 3, 2025

At the Fresh Fruit Festival, NYU students bring gay to the stage
Presented by All Out Arts, the festival’s 2025 10-Minute Play Contest featured student directors and actors.
Dylan Henschen, Staff Writer
• April 2, 2025

Review: ‘Snow White’ fails to charm viewers
Rachel Zegler is the only saving grace in the film plagued by CGI dwarfs and Gal Gadot’s lackluster acting.
Skylar Boilard, Staff Writer
• April 2, 2025

Review: Japanese Breakfast’s newest album is not just ‘For Melancholy Brunettes’
Led by singer-songwriter Michelle Zauner, the band’s fourth album beautifully lives between two worlds: joyous celebration and sorrowful contemplation.
Ethan Li, Deputy Copy Chief
• April 2, 2025

Review: ‘The Alto Knights’ is not worth your time
The new Robert De Niro mafia drama is a bland, forgettable disappointment.
Leo Field, Staff Writer
• April 2, 2025

Playboi Carti’s 30-track opus shapes the future of Atlanta trap
Carti’s new album “MUSIC” could fuel a moshpit with its high-energy anthems, where he’s joined by Travis Scott, The Weeknd, Kendrick Lamar and more.
Antonio Johri, Contributing Writer
• April 1, 2025

Martin Scorsese Virtual Production Center earns LEED Platinum certification
The Tisch School of the Arts facility is the first of NYU’s commercial interior projects to receive this designation.
Dani Biondi, Film & TV Editor
• April 1, 2025

Review: ‘Opus’ is a great watch — and nothing more than that
The newest eat-the-rich cult-horror movie has too much “cult” and not enough “eating the rich.”
Oshmi Ghosh, Contributing Writer
• March 21, 2025

Review: ‘Black Bag’ turns the audience into the ultimate voyeur
In Steven Soderbergh’s gripping spy thriller, it’s not just about the espionage — it’s watching, being watched and questioning everything in between.
Chloe Haack, Staff Writer
• March 21, 2025

Leena Ahmed, Contributing Writer • May 22, 2025

Amanda Chen, Deputy News Editor • May 16, 2025

Yezen Saadah, Editor-at-Large • May 15, 2025

Dharma Niles, Editor-in-Chief • May 15, 2025