Arts

Review: ‘Zero Day’ should be impeached
Netflix’s new star-studded limited series is poorly made and afraid to meaningfully comment on our current political landscape.
Leo Field, Staff Writer
• March 10, 2025

Review: Tate McRae ascends to pop princess status in ‘So Close to What’
The singer is her most confident self in her latest studio album, making it easily her best work to date.
Skylar Boilard, Staff Writer
• March 7, 2025

It’s LGBTQ+ — but without the coming out story
The best LGBTQ+ media that doesn’t fall into the classic stuck-in-the-closet trope.
Levi Langley, Deputy Sports Editor
• March 7, 2025

8 of our favorite film scores
Because music is as good a narrative device as any.
Dani Biondi, Amelia Knust, Kaleo Zhu, Ethan Li, Joe Paladino, Isabella D’Erasmo, Rory Lustberg and Kyra Reilley
• March 6, 2025

Q&A: Soil and secrets in ‘Grosse Pointe Garden Society’
WSN spoke with Melissa Fumero, Aja Naomi King, Ben Rappaport and AnnaSophia Robb about their new ensemble drama.
Eleanor Jacobs, Music Editor
• March 6, 2025

Sam Fender’s ‘People Watching’ delivers smashing personal reflection
The singer blends intimate storytelling with societal critique in this musically robust and dynamic project.
Rory Lustberg, Staff Writer
• March 5, 2025

5 books to kick off Women’s History Month
March is the perfect time to dig into feminist literature.
Siobhán Minerva and Alexa Donovan
• March 5, 2025

Review: ‘Redwood’ spotlights the roots of resilience
Broadway legend Idina Menzel returns to 41st Street for the new musical “Redwood.”
Luke Vrba, Contributing Writer
• March 5, 2025

Q&A: Kate Forbes on the clothes behind ‘The Brutalist’
Kate Forbes, costume designer of the Oscar-winning film, spoke to WSN about her career and design process.
Jadah Jules, Contributing Writer
• March 4, 2025

Alum Sean Baker snags 4 Oscars for ‘Anora,’ including best picture
Five alumni took home a total of seven Academy Awards last night, including best picture, best director, best costume design and best animated feature film.
Yezen Saadah, Editor-in-Chief
• March 3, 2025

Review: Alessia Cara’s ‘Love & Hyperbole’ is personal and honest
The singer’s newest album explores personal themes of love and mental health in a refreshing way.
Ellie DaSilva, Contributing Writer
• March 3, 2025

Review: Rusty Williams’ ‘Grand Man’ reflects on timeless love
The 78-year-old grandfather of Paramore’s Hayley Williams releases his debut album 50 years after its initial recording.
Brishti Sarkar, Contributing Writer
• March 3, 2025

Leena Ahmed, Contributing Writer • May 22, 2025

Amanda Chen, Deputy News Editor • May 16, 2025

Yezen Saadah, Editor-at-Large • May 15, 2025

Dharma Niles, Editor-in-Chief • May 15, 2025