Film

Review: ‘House of Gucci’ is a fashion catastrophe
Even a scene-stealing Gaga performance can’t save Ridley Scott’s true-crime slog from itself.
Isabella Armus, Deputy Arts Editor
• December 6, 2021

Review: ‘Procession’ is a meta masterwork on trauma
Robert Greene’s portrayal of the painful processing of trauma makes for a profound piece that shows the difficulty and necessity of storytelling.
Sebastian Zufelt, Staff Writer
• December 6, 2021

Review: Disney’s ‘Encanto’ has the Latine representation we’ve all been waiting for
Released on Nov. 24, Disney’s new animated film “Encanto” presents a welcome depiction of vibrant Colombian culture.
Lorraine Olaya, Copy Chief
• December 3, 2021

Review: ‘The Sex Lives of College Girls’ is a refreshing look at… well, that
But I do feel personally attacked.
Sabrina Choudhary, Culture Editor
• December 1, 2021

Review: ‘Venom: Let There Be Carnage’ comforts with campiness and predictability
Andy Serkis’ superhero sequel is goofy in all the best ways.
Justin Martinez, Contributing Writer
• November 18, 2021

Review: ‘Last Night in Soho’ ditches comedy for horror
A mixed bag of great influences, the latest film from Edgar Wright is jumbled in its execution.
Sebastian Zufelt, Staff Writer
• November 16, 2021

Review: ‘No Time to Die’ is the perfect ending for Daniel Craig’s Bond
After 15 years, Craig ends his tenure as James Bond with action and emotion.
Saige Gipson, Staff Writer
• November 9, 2021

Review: ‘The French Dispatch’ and the tyrannical tenderness of Wes Anderson
Wes Anderson’s 10th feature film, “The French Dispatch,” presents itself as an apogee of aesthetic redundancy.
Nicolas Pedrero-Setzer, Arts Abroad Editor
• November 2, 2021

Review: ‘Memoria’ is hauntingly immersive
In his first film produced outside of Thailand, Apichatpong Weerasethakul paints a stunning picture of Colombia.
Valentina Arrieta, Staff Writer
• October 28, 2021

Review: The obsessive beauty of ‘The Velvet Underground’
Todd Haynes’ first documentary is an eccentric look at the avant-garde legends of rock ‘n’ roll.
Holden Lay, Staff Writer
• October 27, 2021

Review: ‘Titane’ is a gnarly body horror journey
Julia Ducournau avoids the sophomore slump as the latest winner of the Palme d’Or award.
Sebastian Zufelt, Staff Writer
• October 14, 2021

Review: The sterile cynicism of ‘The Card Counter’
Paul Schrader’s latest is a slow burn whose engines could have used more revving.
Sebastian Zufelt, Staff Writer
• October 13, 2021

Amanda Chen, Deputy News Editor • May 16, 2025

Yezen Saadah, Editor-at-Large • May 15, 2025

Dharma Niles, Editor-in-Chief • May 15, 2025


Aashna Miharia, News Editor • May 14, 2025