The intrusive lens of the micro camera burrows through cavernous organs and once unseen crevices of the human body in “De Humanis Corporis Fabrica.” First premiered at the...

Jonathan Glazer’s short film “The Fall” depicts a spiraling descent into a macabre dimension of human barbarism and fascistic mob violence. Released in 2019, six years after...

Last May, Léa Mysius’ second feature film, “The Five Devils,'' screened at the Directors’ Fortnight section of the Cannes Film Festival and earned a five-minute standing...

“Beau Is Afraid,” and there’s no doubt about it. What exactly Beau is afraid of, though, is a question that director Ari Aster seems less interested in answering than he...

The Roy siblings have spent the entirety of “Succession” either parroting their father, doing his dirty work for bits of praise or claiming to be a radical departure from him,...

What’s the cure for apathy? In “How to Blow Up a Pipeline,” the tight, new environmentalist thriller from “Cam” director Daniel Goldhaber, the answer is direct action....

Benjamin Millepied’s dynamic directorial debut “Carmen” is based on the acclaimed opera of the same name, by French composer Georges Bizet. While the original was set in...

Born and raised in Bordeaux, France, Benjamin Millepied first started dancing at the age of 8 when his mother, a ballet dancer herself, became his first teacher. After spending...

In Lee Cronin’s new addition to the “Evil Dead franchise,” which now has five adaptations in addition to a TV show, “Evil Dead Rise” seems to be the first film that could...

On April 21, the annual Old School Kung Fu Fest makes a triumphant return to the Lower East Side’s Metrograph cinema, bringing a flurry of clashing steel and costumed vigilantes...

In 1980, the enfant terrible of British cinema Ken Russell decided to venture out to the United States and adapt Paddy Chayefsky’s novel “Altered States.” The book follows...

One of the biggest stressors of making student films is money — there’s never enough of it. This is a constant refrain my friends and I struggle with as we work on our intermediate-level...