Arts

The Frick Collection’s Gilded Age time capsule has finally reopened
After five years of renovations, the Frick Collection reopened on April 17, 2025 with new galleries, exhibition spaces and restored decor.
Katherine Welander, Deputy Managing Editor
• April 29, 2025

Review: A ‘Black Mirror’ season with fragmented love and throwbacks
Keep an eye on your smart devices, the technology-driven anthology series is back.
Ethan Li, Deputy Copy Chief
• April 29, 2025

Ranked: Manhattan’s AMC theaters
A list by AMC A-List warriors for AMC A-List warriors.
Dani Biondi and Annie Emans
• April 29, 2025

Review: ‘Stranger Things: The First Shadow’ exists as just a live television episode
The spectacle-filled prequel to the series, better fit for a theme park than Broadway, arrives with enough fog to fill the entire Marquis Theatre.
Ethan Li, Deputy Copy Chief
• April 28, 2025

Ranked: THE DRIVER ERA’s 4 albums
Enjoy this ranked list of the duo’s discography as we celebrate the release of its newest album, “Obsession.”
Leo Field, Staff Writer
• April 28, 2025

Review: ‘All Nighter’ takes on the college student’s psyche
This one-act show captures all of the saccharine sincerity inherent to college friendships and campus politics — for better or for worse.
Eleanor Jacobs, Music Editor
• April 28, 2025

10 years later, ‘Ex Machina’ is electrifyingly relevant
Alex Garland’s sci-fi drama prompts us to question artificial intelligence and its role in the film industry a decade after its release.
Leo Field, Staff Writer
• April 25, 2025

Review: ‘On Swift Horses’ is a slog
Gen Z’s favorite heartthrobs couldn’t save this LGBTQ+ melodrama from folding.
Dani Biondi, Film & TV Editor
• April 25, 2025

Review: Watch out Baby Yoda, it’s Ochi’s turn
A24’s “The Legend of Ochi” delivers a wonderful fantasy world, but fails to deliver much else.
Christine Vigliotti, Contributing Writer
• April 25, 2025

Review: In ‘Sacramento,’ appropriately flawed characters are matched by an equally flawed plot
Michael Cera delivers a wonderfully awkward performance in a middling movie.
Oshmi Ghosh, Contributing Writer
• April 24, 2025

Review: In Bon Iver’s ‘SABLE, fABLE,’ everything is sparkling
This two-pronged project has unlocked a new level of passion and candor from the ballad pro.
Rory Lustberg, Staff Writer
• April 24, 2025

Review: ‘John Proctor is the Villain’ wages war on the male abuser
Open up your SparkNotes: Kimberly Belflower’s new play stages a reexamination of Arthur Miller’s “The Crucible.”
Ethan Li, Deputy Copy Chief
• April 23, 2025

Siobhán Minerva, Arts Editor • September 14, 2025

Natalie Deoragh, Deputy News Editor • September 14, 2025

Kaitlyn Sze Tu, Deputy News Editor • September 12, 2025

Don Ahmad, Contributing Writer • September 12, 2025

Kiran Komanduri, Deputy Sports Editor • September 12, 2025