Arts
‘Free Time’ subverts any semblance of competent adulthood
I would call “Free Time” incompetence porn, but it’s not.
Liv Steinhardt, Contributing Writer
• April 5, 2024
Musician Sloane Simon on finding harmony in community
The frontwoman of the 2024 UltraViolet Live Best Group Performance winner and a Clive Davis first-year, Sloane Simon spoke with WSN about how interpersonal connection has grounded her musically.
Dani Biondi, Staff Writer
• April 4, 2024
Elinor Kry discusses visual artistry in a visual world
Within the fields of arts, fashion and culture, photographer and Tisch sophomore Elinor Kry discusses what keeps herself and her creative vision anchored.
Eleanor Jacobs, Staff Writer
• April 3, 2024
WSN’s guide to the 53rd New Directors/New Films festival
In anticipation of the Lincoln Center and MoMA’s latest edition of ND/NF, WSN has put together a list of the most exciting films on the festival docket.
Mick Gaw, Film & TV Editor
• April 3, 2024
Staff Recs: HEAR ME OUT!
This is a judgment-free zone.
Julia Diorio, Alexa Donovan, Mick Gaw, Clara Scholl and Stephanie Wong
• April 2, 2024
Review: The 2024 Whitney Biennial poignantly portrays life in the modern world
“Even Better Than the Real Thing,” displays works from over 70 contemporary artists who explore ideas related to “the real.”
Alexa Donovan, Deputy Arts Editor
• April 2, 2024
Review: ‘High & Low: John Galliano’ captures a fashion icon falling apart at the seams
The documentary chronicles fashion designer John Galliano’s career in full, but falters in redeeming his character following incidents of antisemitism.
Karina Rower, Deputy Copy Chief
• April 2, 2024
How I learned to love reading again
As casual reading becomes trendy on social media, there is a tendency to read for quantity rather than quality.
Diana C. Sánchez González, Staff Writer
• April 1, 2024
Review: ‘Do Not Expect Too Much From the End of the World’ is a brilliantly funny portrayal of 21st-century labor
In his new feel-bad comedy, Radu Jude inventively depicts the frenzy of late stage capitalism through an overburdened personal assistant in the film industry.
Nolan Morris, Contributing Writer
• April 1, 2024
Review: Hozier’s ‘Unheard’ draws fans deeper into his conceptual art
Consisting of outtakes from his most recent album, Irish musician Hozier’s newest EP captures audiences with sound as immersive and captivating as its storytelling.
Eleanor Jacobs, Staff Writer
• April 1, 2024
Books beyond Bobst: A science-fiction novel, a multifaceted memoir and more
Books beyond Bobst is a book-rec column highlighting what NYU students are reading now, outside of their classes. If you’re in need of a new read, look no further.
Alexa Donovan, Katherine Welander, Ana-Sofia Erath and Tori Morales
• April 1, 2024
Inside the Boxd: ‘Maestro,’ ‘The Banshees of Inisherin,’ ‘Valhalla Rising’ and ‘Mulholland Drive’
Inside the Boxd is a weekly column documenting WSN staffers’ recent film reviews on Letterboxd. Grab some popcorn and get that watchlist ready!
Anna Baird-Hassell, Emily Genova, Mick Gaw and Yezen Saadah
• March 29, 2024
Yezen Saadah, Editor-in-Chief • December 19, 2024
Hope Pisoni, Staff Writer • December 14, 2024
Dharma Niles, News Editor • December 13, 2024
Ivanka Sun, Contributing Writer • December 13, 2024