Arts
‘Zombi Child’: Equal Parts Horror and Coming-of-Age Story
French director Bertrand Bonello’s experimental horror film dazzles through unconventional storytelling and an electrifying score.
The Weeks Keep Cool
The popular indie band is still as carefree about music as they were in high school.
Margaret Atwood Discusses “The Testaments” at Town Hall
The acclaimed author of “The Handmaid’s Tale” joined Samantha Bee at The Town Hall to answer questions about her writing process and newest book.
Dining With Ploetz: Food For Thought
Richard Ploetz’s dark comedy, which just completed its run at Theatre for the New City, is comprised of three one-acts centered around hunger, both literally and metaphorically.
‘Corporate Animals’: Unfunny, Uninteresting, Unappealing
"Corporate Animals" proves that it takes more than a fun premise to make a successful comedy.
‘Ad Astra’ Is a Slightly Maddening Delight
Ad Astra delves into the isolating monotony of space travel in a not-so-distant future.
gutseverywhere Excels at Vulnerable First Concert
Cam Franklin’s performance at the Bitter End was personal and down to earth.
Zadie Smith’s Talents on Full Display in ‘Grand Union’
In her first short-story collection, award-winning author and NYU Professor Zadie Smith crosses genres and perspectives to meditate on the trials, absurdities and unexpected joys of the modern world.
Is Disney Ruining the Circle of 2D Life?
Disney 3D remakes are turning out flatter than their 2D originals.
‘Elite’ Season Two Explores the Secret Lives of Spanish Prep School Students With New Twist
"Elite’s" eagerly anticipated second season is a suspenseful and shocking teen drama that reverses audience expectations. In the fictional Las Encinas High School, everyone is hiding something.
Miranda Sings on Broadway! Colleen Ballinger Wraps Up Broadway Debut in “Waitress”
Colleen Ballinger, most famously known as Miranda Sings, just ended her limited four-week engagement run as Dawn in “Waitress.”
“Moles” Shocks, Amuses at Skirball
Skirball brings French director and visual artist Philippe Quesne’s “The Night of the Moles” to NYU, welcoming audiences into its subterranean world populated by gigantic rodents in this wordless theater experience.
