Review: ‘Love Lies Bleeding’ is a sultry slasher that disappoints
Within the brawn and blood of New Mexico in the ’80s, Rose Glass’ romantic thriller precariously balances romance and violence against a quickly paced plot.
Eleanor Jacobs, Staff Writer
• March 15, 2024
Review: ‘All of Us Strangers’ is a hauntingly bleak tale of grief and trauma
Featuring stellar performances and cinematography, Andrew Haigh’s latest film is a spiritual romance meant to be experienced, not enjoyed. “All of Us Strangers” is now showing in select theaters.
Juliana Guarracino, Culture Editor
• February 5, 2024
Review: ‘Saw X’ has all the usual traps and violence, along with a new attempt for empathy
Nearly 20 years after the release of James Wan’s first “Saw,” the franchise’s 10th installment takes the story in a new direction.
Ana Marks, Contributing Writer
• October 20, 2023
Review: ‘Farewell My Concubine’ restoration upholds film’s undying legacy
In celebration of the film’s 30-year anniversary, Film Movement’s uncut, 4K restoration breathes new life into a modern classic.
Mick Gaw, Film & TV Editor
• September 21, 2023
Review: ‘El Conde’ tells a chilling story of bloodthirst through absurd political satire
Chilean director Pablo Larraín’s film is screening at the Paris Theater until Sept. 22.
Tony Jaeyeong Jeong, Contributing Writer
• September 20, 2023
Review: ‘Bottoms’ delivers punches and punchlines in its teen sex story
Director and NYU alum Emma Seligman ushers in a new era of queer media through this hilariously horny teen film.
Dani Biondi, Contributing Writer
• September 15, 2023
Review: Kubrick’s ‘2001: A Space Odyssey’ terrifyingly depicts human ingenuity
The science fiction masterpiece recently screened at the Paris Theater as a part of its “Big & Loud” series.
Yezen Saadah, News Editor
• September 7, 2023
Review: ‘De Humani Corporis Fabrica’ cuts deep into the human body
In their latest documentary feature, Véréna Paravel and Lucien Castaing-Taylor bring viewers on a transformational journey of human anatomy. “De Humani Corporis Fabrica” is currently showing at the IFC Center.
Mick Gaw, Staff Writer
• May 1, 2023
Review: ‘Beau Is Afraid’ is only occasionally frightening
Ari Aster’s new film is a big departure from his previous horror films, as he ventures into a long odyssey of surrealist comedy.
Justin Martinez, Contributing Writer
• April 25, 2023
Review: ‘Carmen’ modernizes the iconic opera
In his directorial debut, renowned choreographer Benjamin Millepied created a dreamlike yet unsteady presentation of song, dance and word.
Madeline Kane, Contributing Writer
• April 24, 2023
Recap: ‘Succession’ S4E4: Underlined or crossed out?
Logan Roy may be dead, but he casts a long shadow over the future of his company — and the psyches of his children.
Colleen Secaur, Contributing Writer
• April 18, 2023
Review: ‘Dancing the Twist in Bamako’ is a tale of star-crossed lovers in a postcolonial world
Set in a nation freshly liberated from French colonial rule, director Robert Guédiguian tells the story of two lovers fighting to be together against all odds. The film opened on Feb. 24 at the Film Forum.
Sanam Estakhrian, Contributing Writer
• March 6, 2023
Bella Simonte, Contributing Writer • December 12, 2024
Christobelle Rudes, Contributing Writer • December 12, 2024
Andrea Lui, Culture Editor • December 12, 2024