Review: ‘The Sex Lives of College Girls’ is a refreshing look at… well, that
But I do feel personally attacked.
Sabrina Choudhary, Culture Editor
• December 1, 2021
Review: ‘Venom: Let There Be Carnage’ comforts with campiness and predictability
Andy Serkis’ superhero sequel is goofy in all the best ways.
Justin Martinez, Contributing Writer
• November 18, 2021
Review: ‘Memoria’ is hauntingly immersive
In his first film produced outside of Thailand, Apichatpong Weerasethakul paints a stunning picture of Colombia.
Valentina Arrieta, Staff Writer
• October 28, 2021
Review: The obsessive beauty of ‘The Velvet Underground’
Todd Haynes’ first documentary is an eccentric look at the avant-garde legends of rock ‘n’ roll.
Holden Lay, Staff Writer
• October 27, 2021
Review: Latest ‘Amélie’ musical fails to live up to the film
The West End musical adaptation falls short of capturing the original film’s charm and emotion.
Saige Gipson, Staff Writer
• October 18, 2021
Review: ‘Titane’ is a gnarly body horror journey
Julia Ducournau avoids the sophomore slump as the latest winner of the Palme d’Or award.
Sebastian Zufelt, Staff Writer
• October 14, 2021
Review: The sterile cynicism of ‘The Card Counter’
Paul Schrader’s latest is a slow burn whose engines could have used more revving.
Sebastian Zufelt, Staff Writer
• October 13, 2021
Review: ‘Dear Evan Hansen’ movie is an embarrassment
The musical should have never wandered off of Broadway.
Holden Lay, Staff Writer
• October 7, 2021
Review: ‘The Nowhere Inn’ is a trippy exploration of persona
Recording artist St. Vincent and Carrie Brownstein of “Portlandia” team up for a beguiling yet frustrating mockumentary that explores the role of the modern performer.
Isabella Armus, Deputy Arts Editor
• October 4, 2021
Review: ‘Cinderella’ flounders in its lack of originality
The second live-action rendition of Cinderella in the past decade fails to justify why the story was worth remaking.
Sebastian Zufelt, Staff Writer
• September 29, 2021
‘El Planeta’ Review: A witty, ethically complicated dramedy
Telling the story of a mother and daughter faking their way through the wake of a recession, Amalia Ulman’s sly, offbeat comedy film is a modern classic.
Ana Cubas, Arts Editor
• September 27, 2021
Review: Billie Eilish’s ‘Happier Than Ever: A Love Letter to Los Angeles’ is comfortably intimate
The alternative teen pop star is sultry, quirky and introspective in her new Disney+ concert experience.
Candace Patrick, Staff Writer
• September 20, 2021
Yezen Saadah, Editor-in-Chief • December 19, 2024
Hope Pisoni, Staff Writer • December 14, 2024
Dharma Niles, News Editor • December 13, 2024
Ivanka Sun, Contributing Writer • December 13, 2024