Performing Arts
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Here’s Why Scripts Deserve as Big of Spotlight as Books
Poems and prose are conventional materials for reading while plays are wrongfully excluded despite their many admirable qualities.
Sasha Cohen, Books and Theater Editor
• February 10, 2020
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Gallatin Theater Lab Shines Spotlight on Young Playwrights
Three young playwrights were chosen to participate in a two-week play-development program.
Dani Herrera, Contributing Writer
• February 4, 2020
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A Forgotten Spirit Haunted Audiences in ‘A Pink Chair (In Place of a Fake Antique)’
Despite minor confusion and a lack of conflict, The Wooster Group effectively paid tribute to deceased director Tadeusz Kantor through innovative storytelling.
Sasha Cohen, Books & Theater Editor
• February 3, 2020
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Three Ways to Take Advantage of NYC’s Lesser-Known Theater and Literary Scenes
Stop paying ridiculous Broadway prices when you can see higher quality productions and readings for less.
Sasha Cohen, Books & Theater Editor
• January 29, 2020
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Angie Is Aggravated and I Understand Why
Sasha Cohen, Books & Theater Editor
• January 27, 2020

The Architecture of ‘Between’: A Duet With the Surreal
Tiffany Mills Company’s “Not then, not yet” was a cerebrally-charged contemporary dance performance that premiered November 13-16 at the Flea Theater in Tribeca.
Maxine Flasher-Duzgunes, UTA Voices Editor
• December 3, 2019
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Tisch Fails to Connect Acting and Film Students
While it seems intuitive that actors and filmmakers from the same school would collaborate, the Tisch departments often leave students out to dry.
Julie Goldberg, Books and Theater Editor
• December 2, 2019
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Inside J.D. Salinger’s ‘Life in the Rye’
A timely production in anticipation of the centennial of J.D. Salinger’s birth, Claude Solnik’s newest play gives audiences a closer look at the writer’s life.
Dani Herrera, Staff Writer
• November 21, 2019
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Aspiring Playwrights, Submit Your Work Here
Have a potential Pulitzer winner tucked away in a drawer somewhere? These New York City theater companies accept play submissions, sans entry fee, from unpublished writers.
Destine Manson, Staff Writer
• November 17, 2019
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‘It’s Okay to Feel Angry About This Play’
Tisch professor William Electric Black’s new play, “The Whites,” is controversial and loaded. But what should audiences take away from it?
Julie Goldberg, Books & Theater Editor
• November 15, 2019
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Somehow, Tisch New Theatre Reinvents Elle Woods in ‘Legally Blonde’
Tisch New Theatre decides to “Rethink Pink” in their recent production of “Legally Blonde,” showcasing a strong and never wavering Elle Woods by omitting the dumb blonde stereotype from the minute the curtain opens.
Liv Rocklin, Contributing Writer
• November 4, 2019
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‘Madama Butterfly’: New Staging Injects Life Into Age-Old Opera
Producer Anthony Minghella tackles this century-old opera in a visually stunning revival that merges theatre magic from old and new, east and west.
Megan Chew, Staff Writer
• October 22, 2019
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Amanda Chen, Deputy News Editor • February 21, 2025
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Paige Ablon, Contributing Writer • February 21, 2025
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Grace Tan, Identity & Equity Editor • February 21, 2025
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Yael Grosman, Contributing Writer • February 21, 2025