The Wrecks’ last record was a cathartic breakup album, but after three years of writing, its newest project is far more introspective. The band’s new EP “INSIDE:” is the...

The sound of Chinese drums beating opens Andrew Ahn’s film, “The Wedding Banquet.” A lion dancer appears, expertly moving with tradition and care. Then, in a shocking twist,...

“The living was the prize / The ending’s not the story / Just saying my goodbyes” — William Finn, from “Elegies: A Song Cycle.” The theater community lost a treasured...

Content Warning: This piece contains mentions of sexual assault. With the same learned tone she takes to describe her written coverage of political wrongdoing and disease, journalist,...

“Invisible Cities” by Italo Calvino  — Alexa Donovan, Arts Editor  “Cities, like dreams, are made of desires and fears, even if the thread of their discourse...

Poetry is a space to experiment with language — communications through this medium enables deeper emotional expression. This National Poetry Month, if you are looking to be inspired,...

One woman, 26 characters and two uninterrupted hours of awe. This is exactly what hundreds of theatergoers flock to at the Music Box Theatre. Kip Williams’ newest theatrical...

NBC’s 2012 series “Smash” is the ultimate guilty pleasure. Even though it is often described as a hate-watch, the show’s phenomenal original music by “Hairspray” composer-lyricists...

In the opening of David Cronenberg’s “The Shrouds,” we find Vincent Cassel’s Karsh — a grieving tech mogul fashioned in a similar style to the film’s director — lying...

“Drop” arrives with a premise tailor-made for our digitally anxious age: a bootleg AirDrop app called DigiDrop that allows anonymous users to send messages — first playful,...

For Grace Baldridge, better known as Semler, performing in concerts evokes feelings of both church-camp worship services and hazy house parties. Audience members harmonizing feels...