Arts

Review: ‘Juror #2’ is a timely and subversive hit piece on American institutions
All objections are overruled in Clint Eastwood’s newest film.
Leo Field, Staff Writer
• November 13, 2024

Review: ‘Eternal Atake 2’ is Lil Uzi’s eternal mistake
Lil Uzi Vert reaches a new creative low with a rushed, disappointing sequel album that falls short of its predecessor.
Antonio Johri, Contributing Writer
• November 12, 2024

Review: ‘Memoir of a Snail’ will make you want to come out of your shell
Adult animation legend Adam Elliot’s first film in nearly a decade is both crude and heartwarming.
Ella Sabrina Malabanan and Gabriel Murray
• November 12, 2024

Review: ‘Heretic’ neglects the art of subtlety
While the film’s intersection of board games and religion was interesting, it brought exhaustive and over-explained instructions.
Amelia Knust, Staff Writer
• November 11, 2024

Review: Megan Moroney’s Christmas EP pulls from heartbreak and Elvis
“Blue Christmas …duh,” makes us forget all about Thanksgiving and jump right into a country Christmas.
Addison Alvarado, Staff Writer
• November 11, 2024

Harley Chamandy on NYU, Werner Herzog and ‘Allen Sunshine’
WSN spoke with the NYU alum about being the youngest recipient of the Werner Herzog Film Award for his feature debut “Allen Sunshine.”
Dani Biondi, Film & TV Editor
• November 11, 2024

Review: ‘Heartwood’ connects the deterioration of our bodies and the earth
NYU’s Gallatin Galleries invites viewers to reflect on their connection to the environment through multimedia art installations.
Maya Santiago, Staff Writer
• November 11, 2024

Review: ‘Materials of Solidarity’ visualizes the spirit of student support for Palestine
The exhibition, curated by the Asian/Pacific/American Institute at NYU’s student artist-in-residence Nadine Fattaleh, is showing at 20 Cooper Square.
Sydney Chan and Julia Kim
• November 8, 2024

Review: Tyler, the Creator returns with a symphony of introspective chaos
“CHROMAKOPIA” unmasks the artist’s more vulnerable side while still reinforcing his eclectic style.
Maggie Turner, Staff Writer
• November 8, 2024

Review: ‘Conclave’ is not the answer to our prayers
Despite a standout lead performance, Edward Berger’s star-studded drama misses the mark with its lack of relevant commentary surrounding the Catholic Church.
Leo Field, Staff Writer
• November 8, 2024

Review: Halsey embraces darkness in ‘The Great Impersonator’
Halsey is sick of impersonating. Instead, she is here for a reckoning.
Kaitlyn Sze Tu, Contributing Writer
• November 7, 2024

Review: The Met’s new exhibition imposes a Western perspective on Buddhist art
Tenzing Rigdol’s contemporary installation on display at The Met is placed in conversation with ancient Tibetan Buddhist artifacts.
Petunia Hu, Contributing Writer
• November 7, 2024

Leena Ahmed, Contributing Writer • May 22, 2025

Amanda Chen, Deputy News Editor • May 16, 2025

Yezen Saadah, Editor-at-Large • May 15, 2025

Dharma Niles, Editor-in-Chief • May 15, 2025