Arts
Evolving With Your Favorite Song
Sierra Jackson, Managing Editor
• April 10, 2017
Bright but Not Quite ‘Gifted’
Tristen Calderon, Staff Writer
• April 10, 2017
Miss Saigon at The Broadway Theatre
Kamila Daurenova, Contributing Writer
• April 10, 2017
Jack Schneider: Bringing Back the Roots
Jake Steel, Contributing Writer
• April 10, 2017
Transforming the Financial District
Eliot Choi, Contributing Writer
• April 10, 2017
History Reclaimed, Identity Redefined in ‘Latin History for Morons’
Annaluz Cabrera, Staff Writer
• April 6, 2017
New Doc Highlights the Man Who ‘Shot!’ Rock ‘n’ Roll
Daniella Nichinson, Staff Writer
• April 6, 2017
Werner Herzog’s ‘Queen of the Desert’ Is No ‘Lawrence of Arabia’
Carter Glace, Staff Writer
• April 6, 2017
Alum Ido Fluk’s Festival Success ‘The Ticket’ Hits Theaters
Ethan Sapienza, Film Editor
• April 6, 2017
Activism vs. Organizing and the Politics of Accountability
Grace Halio, Editor-at-Large
• April 6, 2017
For Our Own Good: Art, Health and Well-Being
Hailey Nuthals, Arts Editor
• April 6, 2017
The Blur Between Netflix and Film
Daniella Nichinson, Staff Writer
• April 6, 2017

Suhani Bhatt, Contributing Writer • October 24, 2025

Evan Barragate, Contributing Writer • October 24, 2025

Julian Torres, Staff Writer • October 24, 2025

Srishti Mangla, Contributing Writer • October 24, 2025

Emily Barbire, John Bush, Dylan Henschen, Kiran Komanduri, Lauren Ng, Matthew Singh and Sidney Snider • October 24, 2025


















































































































































