Music

Review: Tate McRae ascends to pop princess status in ‘So Close to What’
The singer is her most confident self in her latest studio album, making it easily her best work to date.
Skylar Boilard, Staff Writer
• March 7, 2025

8 of our favorite film scores
Because music is as good a narrative device as any.
Dani Biondi, Amelia Knust, Kaleo Zhu, Ethan Li, Joe Paladino, Isabella D’Erasmo, Rory Lustberg and Kyra Reilley
• March 6, 2025

Sam Fender’s ‘People Watching’ delivers smashing personal reflection
The singer blends intimate storytelling with societal critique in this musically robust and dynamic project.
Rory Lustberg, Staff Writer
• March 5, 2025

Review: Alessia Cara’s ‘Love & Hyperbole’ is personal and honest
The singer’s newest album explores personal themes of love and mental health in a refreshing way.
Ellie DaSilva, Contributing Writer
• March 3, 2025

Review: Rusty Williams’ ‘Grand Man’ reflects on timeless love
The 78-year-old grandfather of Paramore’s Hayley Williams releases his debut album 50 years after its initial recording.
Brishti Sarkar, Contributing Writer
• March 3, 2025

“My work and music are entwined. Totally.”
Grayson Stotz, Under the Arch Editor
• February 28, 2025

Off the Record: Julia Miranda
February 28, 2025

“Music teaches me how to walk, how to talk, how to love.”
Mikaylah Du, Under the Arch Editor
• February 28, 2025

Zora Nelson’s journey with the instrument that chose her
Siobhán Minerva, Deputy Arts Editor
• February 28, 2025

The intersection of music and memory
Eleanor Jacobs, Music Editor
• February 28, 2025

“Music is the greatest form of connection we have.”
Levi Langley, Deputy Sports Editor
• February 28, 2025

Greenwich Village’s musical history
Julia Diorio and Eleanor Jacobs
• February 28, 2025


Ethan Li, Staff Writer • June 10, 2025

Leena Ahmed, Contributing Writer • May 22, 2025

Amanda Chen, Deputy News Editor • May 16, 2025

Yezen Saadah, Editor-at-Large • May 15, 2025