
‘Kinetta’: A Cornucopia of Wasted Potential
Greek filmmaker Yorgos Lanthimos’s 2005 drama makes its American debut 14 years later, but American audiences weren’t missing much.
Nico Pedrero-Setzer, Staff Writer
• October 31, 2019
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‘The Silence’: A Netflix Algorithm Mishap
Netflix’s algorithms have predicted some of our favorite original productions, but “The Silence” isn’t one of them.
Yaroslava Bondar, Staff Writer
• April 22, 2019
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‘Out of Blue’ Hides Its Messy Narrative Behind Impressive Atmosphere
The new detective thriller feels like an experiment into what a competently-made movie would look like if it had its narrative amputated.
Ethan Zack, Staff Writer
• March 11, 2019
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‘Serenity’ Sunk by a Ludicrous Script
The Matthew McConaughey-Anne Hathaway starrer starts off as a fishing neo-noir and derails halfway through into a clumsy, existential thriller.
Guru Ramanathan, Arts Editor
• January 29, 2019
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Horror Films Have Lost Their Touch
Henry Cohen, Contributing Writer
• October 25, 2016
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It’s Your Fault Blockbusters Are Flopping
Thomas Price, Contributing Writer
• September 8, 2016
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Sacha Baron Cohen Is No Longer Satirizing, Just Offending
Ethan Sapienza, Film Editor
• March 22, 2016
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Amanda Chen, Deputy News Editor • February 21, 2025
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Paige Ablon, Contributing Writer • February 21, 2025
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Grace Tan, Identity & Equity Editor • February 21, 2025
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Yael Grosman, Contributing Writer • February 21, 2025