Film

Review: In ‘Rumours,’ the medium is the message
Guy Maddin’s latest film is a funny but bloated critique of the relationship between leaders and those who are led.
Omar Drissi, Contributing Writer
• October 31, 2024

Review: ‘The Line’ illustrates the consequences of tradition
Ethan Berger’s feature-length directorial debut provides a vivid and unsettling look into the cruel and often conditional camaraderie of fraternity hazing culture.
Eleanor Jacobs, Music Editor
• October 31, 2024

Review: ‘We Live in Time’ is defined by love, not loss
The romance offers a refreshingly realistic portrayal of choosing joy during tragedy — a choice I watched my own family make.
Rory Lustberg, Deputy News Editor
• October 30, 2024

Review: Anna Kendrick’s ‘Woman of the Hour’ teaches viewers to trust their instincts
Based on NYU alum and serial killer Rodney Alcala, the film advises audiences to be more careful in their dating lives.
Jason Alpert-Wisnia, Senior Staff Photographer
• October 30, 2024

Review: ‘English Teacher’ is in on the joke
Brian Jordan Alvarez’s new series broaches the serious topic of homophobia in schools with refreshing irreverence.
Sawyer Gouw Ranzetta, Contributing Writer
• October 29, 2024

Inside the Boxd: ‘After,’ ‘Trap,’ ‘Cuckoo’ and more
Inside the Boxd is a column documenting WSN staffers’ recent film reviews on Letterboxd. Grab some popcorn and get that watchlist ready!
Isabella D’Erasmo, Annie Emans, Julia Diorio, Dani Biondi, Krish Dev and Karina Rower
• October 28, 2024

Review: ‘Smile 2’ gives stage fright a whole new meaning
The new horror franchise finally released its long-awaited sequel with bigger stakes, scares and screams.
Amelia Knust, Staff Writer
• October 28, 2024

Review: ‘Piece by Piece’ is a playful yet shallow dive into a cultural icon
Pharrell Williams takes audiences on an amusing yet underwhelming journey through his life and career in animated Lego form.
Chloe Haack, Staff Writer
• October 25, 2024

Review: ‘The Apprentice’ exposes the twisted mythology of Donald Trump
The origin story of America’s most infamous proves he was once the puppet too.
Maggie Turner, Staff Writer
• October 25, 2024

Review: ‘Plastic’ has as much soul and personality as its titular material
Daisuke Miyazaki’s music-based film lacks any of the passion or vision of the rock and roll that inspired it.
Max Vetter, Staff Writer
• October 24, 2024

Review: ‘Heartstopper’ season 3 is unrelentingly authentic
Alice Oseman’s series covers more mature themes without losing its heartwarming energy.
Skylar Boilard, Staff Writer
• October 22, 2024

Review: ‘Joker: Folie à Deux’ is wildly off-key
The follow-up to the 2019 smash hit destroys all credibility to the creators and narrative alike.
Maggie Turner, Staff Writer
• October 21, 2024

Eva Mundo, Deputy News Editor • September 17, 2025

Levi Langley, Staff Writer • September 17, 2025

Leo Field, Film & TV Editor • September 17, 2025

Annika Wilewicz, Deputy Opinion Editor • September 17, 2025

Francisco Pham, Contributing Writer • September 17, 2025