
‘Marry Me’ is a Where’s Waldo of soulless product placement
If you’re reading this, chances are you’re not Jennifer Lopez. Neither am I. We are safe from her here.
Elizabeth Crawford, Contributing Writer
• February 28, 2022

Review: ‘The French Dispatch’ and the tyrannical tenderness of Wes Anderson
Wes Anderson’s 10th feature film, “The French Dispatch,” presents itself as an apogee of aesthetic redundancy.
Nicolas Pedrero-Setzer, Arts Abroad Editor
• November 2, 2021

This Weekend: Oct. 3 to 5
Hannah Treasure, Features Editor
• October 2, 2014

Amanda Chen, Deputy News Editor • April 23, 2025

Alessa Alluin, Staff Writer • April 23, 2025

Ethan Li, Deputy Copy Chief • April 23, 2025

Eloise Maguire, Contributing Writer • April 23, 2025

Concerned Liberal Studies faculty, Guest Contributors • April 23, 2025