‘Poor Things’ argues to be human is to be monstrous
Subverting genre and reflecting the classics prior, “Poor Things” proposes what a modern monster movie should look like.
Liv Steinhardt, Contributing Writer
• February 16, 2024
Review: ‘How to Blow Up a Pipeline’ is a sleek tale of environmental revolution
With Daniel Goldhaber’s stylish direction and a strong cast, “How to Blow Up a Pipeline” turns a story about property destruction into a tense thriller.
Ethan Beck, Contributing Writer
• April 25, 2023
Review: ‘Evil Dead Rise’ brings new life to the cult horror franchise
“Evil Dead Rise,” is in theaters starting April 21. This movie is ready to scare you and everyone else — no one is safe.
Chesney Graham, Contributing Writer
• April 24, 2023
Listen To This: King Krule takes a stab at dream-pop
Listen to this week’s most notable singles from King Krule, Sufjan Stevens and more.
Holden Lay, Sandy Battulga and Pritheva Zakaria
• April 20, 2023
Listen To This: Thee Sacred Souls’ ‘Running Away’ is nostalgic yet feels new
Listen to this week’s most notable singles from Emile Mosseri, The Japanese House and more.
Kate Serrano, Holden Lay, Lea FIlidore, Ethan Beck and Tatyanna Gooden
• March 30, 2023
Review: Ruel breaks the ‘4TH WALL’ with debut studio album
Ruel’s highly anticipated debut studio album touches hearts and minds with its reminders that love and loss are part of growing up and into ourselves.
Rojienne Groves, Contributing Writer
• March 28, 2023
Listen to This: boygenius’ ‘Not Strong Enough’ is their strongest single to date
Listen to this week’s most notable singles from Suki Waterhouse, Dim Wizard and more.
Holden Lay, Katherine Manatos, Ana Marks, Ethan Beck
• March 9, 2023
Listen To This: Better ‘Hold On’ while listening to Lizzy McAlpine’s new emotional single
Read about this week’s most notable singles by Nia Archives, Unknown Mortal Orchestra and more.
Ruby Griffin, Sandy Battulga, Holden Lay and Hanya Gomaa
• February 9, 2023
Review: ‘When You Finish Saving the World’ doesn’t know what to do with itself
Jesse Eisenberg’s directorial debut flounders — much like its two main characters.
Colleen Secaur, Contributing Writer
• February 7, 2023
Review: ‘Music for Four Guitars’ experiments with hypnotic simplicity
Bill Orcutt continues to push the boundaries of simple melody.
Holden Lay, Staff Writer
• September 14, 2022
Andrea Lui, Culture Editor • December 11, 2024
Mehr Kotval, Opinion Editor • December 11, 2024
Eva Mundo, Contributing Writer • December 11, 2024
Sidney Snider, Sports Editor • December 11, 2024