‘Poor Things’ argues to be human is to be monstrous
Subverting genre and reflecting the classics prior, “Poor Things” proposes what a modern monster movie should look like.
Review: ‘How to Blow Up a Pipeline’ is a sleek tale of environmental revolution
With Daniel Goldhaber’s stylish direction and a strong cast, “How to Blow Up a Pipeline” turns a story about property destruction into a tense thriller.
Review: ‘Evil Dead Rise’ brings new life to the cult horror franchise
“Evil Dead Rise,” is in theaters starting April 21. This movie is ready to scare you and everyone else — no one is safe.
Listen To This: King Krule takes a stab at dream-pop
Listen to this week’s most notable singles from King Krule, Sufjan Stevens and more.
Listen To This: Thee Sacred Souls’ ‘Running Away’ is nostalgic yet feels new
Listen to this week’s most notable singles from Emile Mosseri, The Japanese House and more.
Review: Ruel breaks the ‘4TH WALL’ with debut studio album
Ruel’s highly anticipated debut studio album touches hearts and minds with its reminders that love and loss are part of growing up and into ourselves.
Listen to This: boygenius’ ‘Not Strong Enough’ is their strongest single to date
Listen to this week’s most notable singles from Suki Waterhouse, Dim Wizard and more.
Listen To This: Better ‘Hold On’ while listening to Lizzy McAlpine’s new emotional single
Read about this week’s most notable singles by Nia Archives, Unknown Mortal Orchestra and more.
Review: ‘When You Finish Saving the World’ doesn’t know what to do with itself
Jesse Eisenberg’s directorial debut flounders — much like its two main characters.
Review: ‘Music for Four Guitars’ experiments with hypnotic simplicity
Bill Orcutt continues to push the boundaries of simple melody.
