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New York University's independent student newspaper, established in 1973.

Washington Square News

New York University's independent student newspaper, established in 1973.

Washington Square News

New York University's independent student newspaper, established in 1973.

Washington Square News

A photograph of a man’s face with his eyes closed and his eyelids are painted yellow with a black dot in the middle. There is pink smoke in front of his face.

WSN’s guide to the 53rd New Directors/New Films festival

In anticipation of the Lincoln Center and MoMA’s latest edition of ND/NF, WSN has put together a list of the most exciting films on the festival docket.
Mick Gaw, Film & TV Editor April 3, 2024

For the average moviegoer, it is easy to feel like Hollywood is the be all and end all of cinema. With ads for multi-million dollar blockbusters constantly shoved down our throats,...

A still from the film of two women looking to the side and laughing. They are surrounded by metal bars on the side and are wearing saris.

Review: ‘Shorts Program II’ muses on death, memory and the fear of looming ecological disaster

New Directors/New Films 2022’s second program of short films collects a strong string of strange films concerned with humanity’s sense of impending death. “Shorts Program II” plays on Wednesday, April 27, at Film at Lincoln Center.
Nicolas Pedrero-Setzer, Arts Editor April 26, 2022

The New Directors/New Films Festival continues its showcase of innovative short-form filmmaking with “Shorts Program II.” The second and final installment of ND/NF’s short...

A still from the film of a woman looking ahead through a glass surface. She is wearing makeup but looks tired and lost.

Review: ‘Full Time’ is a beat-by-beat capturing of life under the wire

Éric Gravel’s second feature, “Full Time” — “À Plein Temps” in the original French — is a quotidian gem. The film played as part of New Directors/New Films 2022 at Film at Lincoln Center.
Amalia Rizos, Contributing Writer April 26, 2022

Being tight on time, being busy, and being overbooked have never felt like proper ways of being. Julie (Laure Calamy), however, only knows this lifestyle and perpetuates it, for...

An animated still of twin sisters driving a car. One is clutching the steering wheel looking ahead, while the other looks out the window.

Review: ‘Shorts Program I’ shows the youthful side of cinema with an assemblage of global coming-of-age stories

New Directors/New Films 2022’s first program of short films collects a diverse sampling of stories from around the globe and touches on the pains of growing up in the modern world. “Shorts Program I” plays on Tuesday, April 26, at Film at Lincoln Center. 
Nicolas Pedrero-Setzer, Arts Editor April 26, 2022

New Directors/New Films collects the most exciting voices of up-and-coming filmmaking. Although the festival’s feature-length titles, such as “Los Conductos” or “We’re...

A figure dressed in white fire-resistant suit walking away from an eruption of lava.

Review: ‘Fire of Love’ explores the visceral force of volcanoes and passion

“Fire of Love” is a fiery love story. The film will debut at the 2022 New Directors/New Films festival at Film at Lincoln Center on April 27.
Amira Aboudallah, Contributing Writer April 25, 2022

Spoiler warning: This article includes spoilers for “Fire of Love.” “Fire of Love” (2022), directed by Sara Dosa and screening at New Directors/New Films, tells the...

All Lights, Everywhere provides a  stunning and insightful commentary on the development of cameras, and surveillance. The film delves deep into how the images produced are shaped not only by the camera but the people behind the lenses. (Image courtesy of NEON Productions)

‘All Light, Everywhere’ offers an enlightening viewing experience

Theo Anthony’s documentary on surveillance, policing and the strange relationship between the development of guns and cameras will close out this year’s New Directors/New Films Festival.
Nicolas Pedrero-Setzer, Arts Editor May 3, 2021

Theo Anthony’s “All Light, Everywhere” is that rare type of film that forces viewers to reappraise their reality. It chips away at viewers’ preconceptions of authority...

Wim Wenders’ directorial debut, “The Goalie’s Anxiety at the Penalty Kick,” is finally free to all via the Museum of Modern Art and Film at Lincoln Center’s New Directors/New Films festival. Based on a novel of the same name by Nobel laureate Peter Handke, this movie is a distinct investigation into a German generation consumed by a condition of aimlessness. (Staff Illustration by Susan Behrends Valenzuela)

‘The Goalie’s Anxiety at the Penalty Kick’ review: A languid look at aimlessness

This long-lost directorial debut by German director Wim Wenders about alienation in post-war Germany is playing for free as part of the 50th edition of the New Directors/New Films festival.
Nicolas Pedrero-Setzer, Arts Editor April 22, 2021

After decades of being inaccessible to cinephiles due to its rarity, Wim Wenders’ directorial debut, “The Goalie’s Anxiety at the Penalty Kick,” is finally free to all...