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WSN’s guide to the 53rd New Directors/New Films festival
In anticipation of the Lincoln Center and MoMA’s latest edition of ND/NF, WSN has put together a list of the most exciting films on the festival docket.
Mick Gaw, Film & TV Editor
• April 3, 2024
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Review: ‘Shorts Program II’ muses on death, memory and the fear of looming ecological disaster
New Directors/New Films 2022’s second program of short films collects a strong string of strange films concerned with humanity’s sense of impending death. “Shorts Program II” plays on Wednesday, April 27, at Film at Lincoln Center.
Nicolas Pedrero-Setzer, Arts Editor
• April 26, 2022
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Review: ‘Full Time’ is a beat-by-beat capturing of life under the wire
Éric Gravel’s second feature, “Full Time” — “À Plein Temps” in the original French — is a quotidian gem. The film played as part of New Directors/New Films 2022 at Film at Lincoln Center.
Amalia Rizos, Contributing Writer
• April 26, 2022
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Review: ‘Shorts Program I’ shows the youthful side of cinema with an assemblage of global coming-of-age stories
New Directors/New Films 2022’s first program of short films collects a diverse sampling of stories from around the globe and touches on the pains of growing up in the modern world. “Shorts Program I” plays on Tuesday, April 26, at Film at Lincoln Center.
Nicolas Pedrero-Setzer, Arts Editor
• April 26, 2022
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Review: ‘Fire of Love’ explores the visceral force of volcanoes and passion
“Fire of Love” is a fiery love story. The film will debut at the 2022 New Directors/New Films festival at Film at Lincoln Center on April 27.
Amira Aboudallah, Contributing Writer
• April 25, 2022
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‘All Light, Everywhere’ offers an enlightening viewing experience
Theo Anthony’s documentary on surveillance, policing and the strange relationship between the development of guns and cameras will close out this year’s New Directors/New Films Festival.
Nicolas Pedrero-Setzer, Arts Editor
• May 3, 2021

‘The Goalie’s Anxiety at the Penalty Kick’ review: A languid look at aimlessness
This long-lost directorial debut by German director Wim Wenders about alienation in post-war Germany is playing for free as part of the 50th edition of the New Directors/New Films festival.
Nicolas Pedrero-Setzer, Arts Editor
• April 22, 2021
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Amanda Chen, Deputy News Editor • February 21, 2025
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Paige Ablon, Contributing Writer • February 21, 2025
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Grace Tan, Identity & Equity Editor • February 21, 2025
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Yael Grosman, Contributing Writer • February 21, 2025